Tag: Orson Welles (Page 1 of 3)

A Great Light

It is no secret that I have always loved Orson Welles. One of the great compliments I had was back in Teacher’s college when someone saw me on the stage and remarked later that I would take this compliment too far but I had indeed resembled the great man in her mind.

I was humbled. Of course, there never was, and never will be a man like him. This interview was said to be his last, and perhaps even on the day of his death. What charm. What panache. What a man. Here on the anniversary of his death we remark his passing. 32 Years without Welles.

 

Top 5 Hardest Working Producer/Writers in Audio Drama Today

otrmikeAudio Drama is replete with people who put their nose to the grindstone. Many producers work extremely hard to produce incredible productions. But who are the hardest working producer/writers in the modern audio drama movement? To tunnel down the list, it’s important to keep in mind that many producers like Dirk Maggs (Perfectly Normal Productions) and John Ballentine (Campfire Radio Theater) take longer to produce very high level productions. To make our list of hardest working producers/writers we have to look at consistent releases, and a hand involved in all parts of the process from writing, directing, acting, and audio editing.

Here’s our list.

5. Bill Hollweg (Broken Seas Audio)

While Broken Seas has slowed down its production releases from their heyday several years ago. One producer remains tireless in his production grind. Working daily to produce everything from original shows such as Jake Sampson- Monster Hunter, The Saga of the Grog & Gryphon, to 2109 AD, to his beloved recreations and adaptations to Planet of the Apes, Battlestar Galactica, a certain unmentionable dark haired barbarian, and most recently Amity- Dark Waters, Bill continues to tirelessly provide entertainment to the BSA fan crowd. His dedication to all things audio drama extends to his love song to the old time radio days with Swagcast where he painstakingly works to get rid of the buzz from the poor recordings to provide clearer production sounds. Bill works several jobs, and natural insomnia has him up editing and writing late at night and early in the morning before his classic work day begins.

4. Pete Lutz (Narada Radio Company)

Deep into season three, Peter Lutz is following in the footsteps of his hero Orson Welles in creating the anthology series Pulp-Pourri Theatre. In three years, Pete has produced over thirty shows pulled from public domain pulp stories, classic theatre tales, and original scripts. Rumour has it, Mr. Lutz is working steadily on a long series of western stories to be produced by NRC. Award winning, Pete Lutz keeps rolling out more and more hour long and multiple hour long productions that he puts in archive.org for your listening pleasure!

3. Gregg Taylor (Decoder Ring Theatre)

Moving down from our solid second place spot is Gregg Taylor from Decoder Ring Theatre. Perhaps one of the most prolific writers in the modern age of radio drama, Gregg used to release a brand new show every other week. A release schedule that was only breeched once since they began eleven years ago (the same time as The Sonic Society by the way). Gregg has moved more recently to a monthly release schedule, but that doesn’t mean he’s become less productive. The author of over a dozen novels and comics, based on his iconic brands The Red Panda and Black Jack Justice as well as other stories, Mr. Taylor epitomizes- the now legendary mantra update- of “how to get to Carnegie Hall” for successful podcasts everywhere, “How do you get listeners? Consistency. Consistency. Consistency.”

2. Jeffrey Adams (Icebox Radio)

If there is one true innovator in the world of free modern podcast audio theatre it is Jeffrey Adams. Jeff created Sound Stages which began initially as a precursor to the Sonic Society and then transformed into the 24 hour, seven days a week live audio drama Internet radio station that you can hear today. Jeff’s original works became the award winning foundation of his stories that he set in “the land of the Icebox” near International Falls. Icebox Radio officially became a non-profit organization with memberships, donations and an executive council. Most recently, Icebox Radio has made the transition to Radio Icebox in which Jeffrey has taken his talented pen, directing skills, and production experience to run a continuous serial about a strange northern town cut off from the rest of civilization.

1. Jerry Robbins (Colonial Radio Theatre)

There are several talented audio drama companies, very few are driven predominately by a single writer, director, producer, and actor. For over two decades Jerry has written and produced hundreds of radio plays- first released on cassettes, then CD’s and now through downloads. Colonial Radio Theatre has been given dozens of awards, and has had the opportunity to work with personalities such as Ray Bradbury and Walter Koenig. Jerry has written and produced well over a hundred episodes of his western saga Powder River and their catalogue includes everything from children’s tales, horror, mystery, drama, comedy, action adventure, historical drama, fantasy, and science fiction. CRT has adapted classic novels, famous plays, comic books, and television shows. Jerry has also created such indelible original series such as Jerry and the Pirates, Beacon Hill, Royall House, The Dibble Show, and Ticonderoga. His production from William Luce‘s radio adaptation of the one man play Jerry became known for Barrymore tops this reviewer’s list of must listen audio. There is little doubt as to why CRT remains at the top of Amazon audio book charts month after month because they are always producing, and always releasing.

 

This list is far from complete. There are so many writers and producers out there that work extremely hard on their productions but may have more spread out release dates. Some are fairly new on the scene (only a year or two beginning). Many more take long deserved hiatus from their works, and still others find life interrupts their passion for making radio plays.

This list is not meant to overlook the fantastic community of which I happily belong, nor suggest that one radio drama production is arbitrarily better or worse than others, but rather to give my thanks to those who work and release consistently and unendingly in their pursuit to provide to us- the listeners- their audio dramas.

Thanks to all, and may the list above inspire you to get more productions out there!

Daley Wishes- More Star Wars Audio Drama

an1-ff-001I don’t know about you. But the thought that the new Star Wars movies could produce more NPR Star Wars audio drama makes me more excited than even for the release of the next installment- Rogue One.

For many of us who held on to the flame of radio drama in those twilight years, the NPR Star Wars written by Brian Daley set flame to our imaginations exactly what a serialized version of a story could do. Forget, the modern podcast serials. Star Wars the Radio Drama stretched the original tale to tell all the stories that George Lucas couldn’t fit into a two hour feature. As this Hollywood Reporter article clarifies the extended tales tells us much more about the upcoming movie “Rogue One” than the original trilogy let slip.

I admit that I have dreams that I can be part of that team. I get a knock on my door and it’s J.J. Abrams.

“Jack,” he says. “I need you to make forty episodes- ten for each movie.” and we get in the Millennium Falcon and make our way to hidden satellite where they keep a young and rejuvinated Orson Welles, William Conrad, Vincent Price, Jack Benny, and Arch Obeler.

Hey, I’m in audio drama. I have an active fantasy life!

His Voice was “Magically Delicious”

13Anderson1Obit-master675Great loss to the world of radio drama and voice acting on April 10th, when Arthur Anderson passed away at the age of 93. The New York Times article reported:

Arthur Anderson, who performed on radio as a teenager with Orson Welles’s Mercury Theater and appeared on Broadway, in films and on television, but whose most enduring role was as the voice of Lucky Charms cereal’s leprechaun, died on Saturday in Manhattan.

As the last of the Golden Age of Radio begins to fade into the distance, I find myself thinking back as to how much of an impact they made, not just on those children who grew up with radio and radio drama, but the grandchildren, and the great grandchildren. My parents loved radio plays and bought LP’s for me to listen to in my formative years. Even now, archive.org keeps putting more and more old time radio shows into the public domain. Go through the available Mercury and Campbell’s Playhouse Theatres and have some time to listen to Anderson’s salad years.

Rest well, sweet prince!

Was War of the Worlds Broadcast the First VR Experience?

oculuscropped2-20160314123936109This UK Market Magazine Article suggests that while Oculus Rift may represent an entirely new world of virtual entertainment and immersion, maybe the original virtual reality or VR gold standard belongs to radio drama. Consider the authors, Gavin and Jason Fox’s suggestion that Orson Welles and War of the Worlds provided the greatest trick to the mind, and come back and comment your own thoughts on their theory!

 

Best Foote Forward

ken-foote (1)Ken Foote muses over at CBS Local about the sunny days of radio drama after seeing an episode of The Tonight Show starring Johnny Carson and the titanic voice actor Orson Welles. While talking about the difficulties of working as an actor and as part of the crew during live radio drama, Foote considers the powerful gateway show CBS Radio Mystery Theater starring the unforgettable E.G. Marshall as your host and narrator.

Go check out the article, but then consider mentioning to Mr. Foote how audio drama has come back in the modern age!

The Sonic Pioneer Ora Nichols

marchoftime2From kuow.org:

Being the first sound effects woman came with its challenges. Actors and directors were still learning to value her trade as a much they valued their own. Ora Nichols worked with Orson Welles frequently, but there was an ongoing tension between the two over how sounds were created.

Ora Nichols thought that the best sound effects could sometimes come from sources other than the object itself. For example, an egg beater on the radio sounds more like a lawn mower than an actual lawn mower.

Congratulations Ora! Thanks so much for your work in foley and sound effects and Happy Woman’s Day!

Scotland Saves the World!

aliensNicola Sturgeon has the challenge of her life. She’s to save the world from alien invasion!

The first time an actor was called upon to do this may have been Orson Welles, but it was hardly the last. BBC 4 has Sturgeon playing in a modern retelling of the classic John Wyndham 1953 apocalyptic novel ‘The Kraken Wakes‘, which has been adapted by the Scottish crime writer Val McDermid.

Find out more of this upcoming two-part drama from this Huffington Post article and enjoy more radio drama classics!

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