Category: Media (Page 32 of 45)

The Rise of the Audio Story

serialIt’s been ten years in the Society and nearly a hundred years since the art form began. Most of us who have delved into the latest medium- podcasting have loved every minute of the “on demand” style of listening to stories.

Most recently, some audio stories have achieved a real massive fan following. Shows like Welcome to Night Vale and Serial have certainly hit the big time. According to the Wall Street Journal, “Serial” has been downloaded an average 1.26 million times each episode. With twelve episodes that’s more than 15 million pairs of ears listening each episode, and if that’s a meaningless number, consider 15 million is just roughly under half of all the people who live in Canada.

Serial is a spinoff mini-series from the popular This American Life, an NPR show out of WBEZ Chicago, and focuses on the non-fiction murder of Hae Min Lee and the conviction of her ex-boyfriend Adnan Masud Syed for the crime. The story is framed and provided from the first person perspective of Sarah Koenig an award winning journalist and producer of the show.

Serial is certainly compelling- especially knowing that everything you’re getting in the story is the truth, and while Koenig offers no definitive answers, she raises a lot of important questions as to who truly is responsible for Ms. Lee’s murder.

What I find also interesting is the number of people who have introduced shows like Serial and Night Vale to me as audio drama. But when I go to listen to the stories, as much as I appreciate what they are doing- they really aren’t audio drama as we know it.

First, let’s look at the similarities to audio drama as we know it. All of these shows have a story. They also have characters that tend to speak for themselves, although Night Vale usually works with its own mythical radio host. But this is where the similarity ends.

WireTapArtistPosterAnother good example of this style is Wiretap with Jonathan Goldstein, on CBC radio. Goldstein provides a first person narrative of different aspects of his life and invites his friends and family to speak on these issues through the phone. While scripted, these comedic and often surreal vignettes follow the themes in Goldstein’s life and provide a kind of post-modern critique of the world. There’s an intimacy to this kind of storytelling. It’s the main ingredient in why so many people enjoy listening to their favourite podcasts again and again. While radio has long had a distance of projecting to the masses, podcasting brings the listener up close, with the host of each show almost whispering into the ears.

It’s that sense of being let in on something that makes these shows so compelling for the listener. The modern age has so little connection, and these kinds of audio stories connect.

But they aren’t audio drama. Here’s why.

If Serial were a true radio drama, we wouldn’t be treated to Koenig’s reporter style commentary through out. We’re keenly aware she’s in a studio, and her thoughts are organized in an essay to present information to you- albeit in a relaxed format. Serial, the radio drama would have the sound effects added. The pushing of the recording button. The accidental bumping of the microphone. The nervous little blemishes of real life. Koenig would be unveiling the story for herself as much as for the audience, and we’d walk with her in her explorations for the truth.

Good audio drama is immediate. The listener feels like they are in the room with the action. The story, like a good movie, presents that willing suspension of disbelief that sweeps the listeners away- sometimes to entirely different worlds. While Wiretap, Night Vale, and Serial draw us into the story, we’re keenly aware that we are listening to stories, fashioned and written, not drama while involves us in the deepest of levels. It is the difference between listening to a novel about your parents arguing, and listening to a cassette tape of an incident of your parents arguing. The former will deepen your understanding, the latter will involve you. Make you laugh, cry, and cringe in the real-time unveiling of the narrative.

I enjoyed the serious true crime nature of Serial and the comedic everyman Wiretap, and I love the compelling nature of the podcast medium, but when it comes to investing myself, its audio drama that captivates me.

4 More Sleeps….

4_Balloon_largeJust four more sleeps until NADSWRIM 2015!

Have you picked your project yet? Are you up for the Feature Challenge? Or are you thinking of a series and want to take on the Quarter, Half, or Full Challenge? Whatever your goal, make sure you add your submission here. It’s totally free, and just an opportunity to put down your tent pegs and raise up your “Writer at Work” sign.

Keep Calm and make Awesome AD!

And a special happy birthday to our Ginny Ward webmistress extraordinaire who turns a tender 32!

 

Rhapsody by Raphael- Caroline Raphael’s Tips on Getting on BBC4

7-tips-for-radio-writersCaroline Raphael has some excellent tips and tricks for audio drama writers trying to get into the “biz”. While many of us have been cutting our teeth writing for podcasts, community radio, e-books, and live-stage radio drama, Ms. Raphael has been working as the BBC’s Radio Commissioner and she’s looking for a lot of great material.

In the article, How to break into radio writing: 7 tips by BBC Radio 4 commissioner Caroline Raphael you can really learn a lot about how everything needs to be formatted and who to approach. “Story is structure”, says Robert McKee so make certain you follow the Guidelines set out by the BBC and get cracking!

And Now a Sound Effect from Star Wars

Remember Star Wars? It was quite the thing in the day (and if you believe the hype it will be again starting next year. George Lucas wasn’t just the King of visual effects, he also pioneered in a pile of really unique sound effects. Here’s an incredible look at how the breakdown of the Millennium Falcon’s engines sounded!

Happy World Audio Drama Day!

All around stock-footage-vintage-looking-earth-with-radio-waves-loop-ablethe world, we celebrate our very first WORLD AUDIO DRAMA DAY!

Thanks so much to Sibby Wieland, David Jarvis, Sonia James from Sound Stages Radio who came up with the original idea and have worked so hard to get the word out. And special thanks to Pete Lutz from Narada Radio Company and Fiona Thraille from Cooperantem Radio for all their work and interest in promoting this celebration on Facebook and through the rest of social media.

How can you celebrate?
Here’s some things to consider:

1. Share a radio drama with your family tonight. Turn off all the cell phones, other technology and extraneous lights and enjoy a drama.

2. Share an audio play at dinner with a loved one.

3. Find your favourite audio theatre episode and listen while you drive to work.

4. Download some shows you’ve always wanted to listen to, but never had the chance for your workout session today.

5. Send around a link to your friends with the twitter tag #HappyWorldADD of your favourite shows from modern audio theatre

6. Talk to people about your favourite shows.

7. Clean the house or dishes old school with an audio drama playing.

8. Go for a nice long walk timed to an audio pulp production!

9. Bake some holiday food while listening to an audio show.

10. Burn some CD’s of some awesome audio drama and leave it randomly for people to find.

In whatever way you intend to celebrate today, have fun doing it and let us know!

Find the World Audio Drama Facebook Community and Twitter and we’ll see you- out in the world!

« Older posts Newer posts »

© 2025 The Sonic Society

Theme by Anders NorenUp ↑