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Beyond the Electric Pasture…

sheepI will admit to having certain goals as a writer. The first is that my stories connect with an audience. The second is that my stories have meaning for an audience. And the third is that my stories last the test of time. Few writers in the science fiction genre can check all three of those goals better than Philip K. Dick. PKD had a unique way of challenging conventional reality for his readers, and the BBC is now streaming a new adaptation of his famous Do Androids Dream of Electric Sheep? that was made popular as the Ridley Scott powerhouse Blade Runner. As fantastic as the movie was, it veered far from Dick’s original vision. The audio drama is much closer. Have a listen to the free stream on BBC 4 while you’re still able and marvel at a master of the mystic arts of storytelling.

Mathew Kresel in WarpedFactor has a great review on the show as well.

Phillip K. Dick’s Do Androids Dream Of Electric Sheep? is a novel that is perhaps best known for being the inspiration behind Ridley Scott’s now classic film Blade Runner, which famously built itself on top of the concepts Dick created, taking character names and a few situations before largely running off and doing its own thing to some extent. Dick’s novel is thus a different beast from the film it inspired, something that makes the two part BBC radio adaptation from 2014 that has recently been re-broadcast on Radio 4 Extra all the more intriguing.

Take the extra S out of your Sonic!

20161006sibilanceProsound has a great article on In the Studio: Tips for Controlling Vocal Sibilance. If you’re unaware of what “sibilance” is, very quickly it is the strong consonants that are stressed (sometimes overly so) in recordings. If you’ve ever listened to someone who let’s their S’s linger a little longer than usual, that could be a problem of sibilance in a recording. This lovely article focuses on how to set up your recording area to cut back on sibilance, and what tips you could use to de-esser them.

The Worst Sound

worstsndA while back Erik Hermansen from See Space Labs has given us at the Sonic Society the joy of experiencing the Worst Sound ever. So, interestingly awful is this contest, NPR had a little segment on it. Have a listen to All Things Considered and imagine just how bad it can get!

Sound designers have been competing this week for the honor of “Worst Sound in the World,” organized by See Space Labs. Listen to some of the submissions, if you can stand it.

International Podcast Day!

ipd-logo-headerAlmost thirteen years ago now, Dani Cutler, a friend of the show, suggested that the Sonic Society should go from just being a live radio show to being disseminated through a new distribution process called podcasting, we’ve never been the same since! Podcasting has given the Sonic Society over two million direct downloads during that time, and brought audio drama far and wide.

So celebrate September 30th, INTERNATIONAL PODCAST DAY! How will we celebrate? Jack will be finishing off some audio acting tomorrow night and recording an interview for this season’s Sonic Speaks!

 

 

Elementary Audio, My Dear Watson

underworld-evolution-derek-jacobi-e1474295628220The versatile and brilliant Derek Jacobi dons the famous deerstalker as Sherlock Holmes in the latest adaptation of Sir Arthur Conan Doyle‘s classic- The Hounds of the Baskervilles.

Fangoria magazine describes the new release of Sherlock Holmes: The  HellHounds from Canadian filmmaker and actor Anthony D.P. Mann’s multi-media production company, Bleak December Inc. will release the new audio drama later this year and plans future audio releases of full-cast adaptations of FRANKENSTEIN, THE PHANTOM OF THE OPERA and DR. JEKYLL AND MR. HYDE. DRACULA will be available as of September 30th – just in time for Halloween!

Crime Classics in Chicago

otrr_crime_classics_singlesIf you’re in the Chicago area, the Kimball Street Theater will be putting on Crime Classic on October 4th.

From the Chicago Tribune:

“Crime Classic,” an old-time radio drama with Radio Players West and the Elgin Symphony Orchestra trombone section will be performed at 7:30 p.m. Oct. 4 at the Kimball Street Theater of the Elgin Academy, 261 Dundee Ave., Elgin. It is presented by Chamber Music on the Fox. General admission is $20; student tickets $10. For information, go to www.ChamberMusicOnTheFox.org.

So get your ticket while you can, and go watch some incredible live Radio Drama!

OTR (Old Time Radio) finding NTL (New Time Listeners)

cbsmysteryThere’s a huge discussion in the modern audio drama realms that often ends up being confrontational. The New Time listeners and the Old Time Listeners represent a stark contrast in the listening habits of those who love radio plays. This can be a good thing, in that the medium is growing so large that we are able to break down into smaller groups. However, I’ve always felt that there’s good stories in old time radio shows as much as there is in new time podcasts.

Jay Powell in this Columbia Daily Herald article  has also discovered new life in the great OTR shows. Mr. Powell writes about his love of the CBS Mystery Theater series he heard first in his teens:

When I was in my pre-teen years, back when mp3 downloads were still in their infancy, I discovered that there was more out there than just songs and movie soundtracks I could store on my iPod. Some of my favorite memories from those days were nights spent listening to the radio program, “CBS Radio Mystery Theater.”

These were episodic dramas produced between 1974-1982, often with a tinge of horror and the macabre, running between 40 minutes to an hour. The format was a throwback to old time radio shows like “The Shadow” or “The Hall of Fantasy,” complete with sound effects and special guest stars. I still remember the loud creaking door at the start of each episode and host E.G. Marshall saying “Come in…welcome,” before launching the listener into another fear-filled hour.

The stories often involved haunted houses, a killer on the loose, or ghosts from a person’s past. A tale or two from Edgar Allan Poe (my favorite writer at the time) would also pop up on occasion. Listening to those stories was a tradition for me night after night as the lights went out and I crawled into bed, hoping to have the bejeezus scared out of me once more before I went to sleep.

There were other shows I discovered later on, such as “The Inner Sanctum Mysteries,” “Suspense,” even the old Mercury Theater programs starring Orson Welles. Something about having to imagine the scenes as I closed my eyes and put on the headphones had a way of immersing the listener into that world, almost in a dreamlike state.

Read the rest of Mr. Powell’s love letter to the OTR and start listening again with new ears in archive.org

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