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Texas Radio Theatre and the Ed Wood of Audio

We’re loving the return of Texas Radio Theatre’s feed into the world of activity. Some shows you love podfade forever, but Rich Frolich has brought back TRT with new vigour. In case you haven’t heard, TRT is one of the great originals of the modern audio drama movement- and to just kick up their qualifications a notch or two, most of their shows were live performances.

Most recently, Rich has reintroduced a whole new generation to the decade gone now Schlock Audio Theatre by Charlie Pratt (sometimes misidentified as Chris Pratt’s more talented brother). As well as the B-flick bonanza that Schlock provides on the feed, and the marvellous original content he’s still catching his audience up with, Mr. Frolich also gave us a listen to Judson Fountain. The man they are calling “The Ed Wood” of radio drama. It’s more fashionable to call something so awful that it’s good- “outsider art”- mostly because if you painted such abominations you would be locked outside until the paintings were destroyed in the rain- Fountain’s work is a glorious ode to what was radio drama. Listeners can hear his love of the art form. Judson Fountain pressed his own vinyl recordings, and if you own one of these fractured gems they are worth a pretty penny today.

Luckily for us, the Internet can provide for us what our vinyl collection lacks.

Go check out The (Sort of) Dark and (Mostly) Goofy World of Judson Fountain and enjoy.

Oh, and subscribe to Texas Radio Theatre today and as Rich Frolich would say- “Watch more radio!”

Oh, and Rich… what’s the chances of a live Schlock Audio Theatre/Texas Radio Theatre performance for Mad-con.com?

Radio Ain’t Dead Yet

This Spectator article wants to point out to those enamoured with the latest craze of podcast-madness, that radio hasn’t exactly been overwhelmed by the downloading RSS feeds.

Podcasts, too, have yet to master drama; it will surely become established, challenging the corporation to maintain its commitment to what is for many of us the USP of BBC Radio. Roy Williams’s modernisation of John Wyndham’s 1957 sci-fi novel The Midwich Cuckoos, on Radio 4 at New Year, was a chilling reflection of the original. Directed by Polly Thomas with Jenny Sealey and her theatre company Graeae, which is led by disabled actors, the drama suggests a link between the cuckoos of Wyndham’s novel and that sense of being different, ostracised by a society that does not understand you. Some of the cast members are profoundly deaf, which you can hear in their voices, some are black, adding levels of meaning to the text. The sound design (by Eloise Whitmore) and specially composed music by Oliver Vibrans added to the strange atmosphere. This was properly creepy.

Check out the detailed article by Kate Chisholm for more!

Episode 576- Virtual Votes

Tonight with David off, Jack is looking forward to the American Mid-Term elections… Maybe a little too much so! He’s got a new Electric Vicuna Productions Wavefront Anthology show featuring Jeffrey Billard, Lothar Tuppan, Jan Didur, Tanja Milojevic and Pete Lutz thinking back on Bill Hollweg entitled “Voting is Anonymous”. A second short from Pete Lutz and the 11th Hour Productions group called “A Real Bedtime Gory” and a SPECIAL Bells in the Batfry with John Bell rounds out the post-Halloween fun!

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