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Escape from New York from Broken Sea Audio

escapeDamn you Stevie Farnaby and Bill Hollweg!

I’m making my lunch and tonight’s dinner for my boys and I and I’ve got my laptop set out on the kitchen counter- everyone should listen to Audio Drama while working in the kitchen- and I’m listening to Broken Sea’s latest adaptation Escape from New York.

The 1981 Kurt Russell vehicle was loads of B-flick action fun when I was a kid, and I’m feeling this surge of excitement and nostalgia as the original motion picture soundtrack comes up.
The rough retort of cocked weapons, the steady thrum of helicopters stroking through the air, you can almost taste the industrial paste of grease, gunpowder, and blood. Escape from New York has all the things I loved about 80’s sci-fi films like Bladerunner and Mad Max, great distopic backdrops, hardboiled heroes, and a lot of wanton destruction.

So what’s my problem? Why am I cursing Farnaby and Hollweg?

Because just a few years ago, non-commercial audio drama often came across as clearly amateur and something hard core hobbyists would just engage in.
Vocal levels and acting are usually uneven, and production moved consistently on a sliding scale.
But it seems almost single-handedly Hollweg and in the case of Escape- Farnaby are raising the bar for audio production.
Joyously Stevie (and he is joyous trust me) relates the copious number of tracks he’s used to produce the power-packed sound that Escape from New York produces.
Now don’t get me wrong, other producers are bringing out equally stellar results in their productions, and if I begin naming them I will undoubtably forget a few, but I’ve noticed both Farnaby and Hollweg take special masochtic glee in the universe of sound they provide.
And the results? WOW, WOW, and triple WOW.

Escape from New York is something I’m going to listen again with headphones, and again, and again. I’m already salivating at the prospect of Episode 2.
The acting, and the scripts (also penned by Hollweg) are all up to Broken Sea’s usual quality with veteran’s like Mark Kalita, Bruce Busby, Robin Carlisle, Natasha Lathrop with Jester Timm Gillick channeling Kurt Russell’s “Snake Plisken”, but its the lovingly rendered production that makes the lazy audio editor in me curse Farnaby for raising the bar!

The Dream

ipodbladeSo approximately 24 years ago, I had a vision. I haven’t had too many of them, but this one seemed pretty clear. Computers were in their infancy but I could see as they struggled to create digital images that one truth would come to pass.

Some day, in the none too distant future they would make brand new movies, taking the images of old favourite actors and by scanning them, make them move and behave visually in new ways. So we’d see Steve McQueen in a “new” movie, Marilyn Monroe sing and laugh up a storm in a new musical comedy reuniting her with Tony Curtis and Jack Lemmon. They’d all be young, vital, and their facial and body movements would be unerringly “real”. The computers would have scanned their movements in the dozens of films they were in, and sophisticated software would have the “Monroe Character” and the “Lemmon Character” ready to take their marks in a cybernetic stage.

I could see that for the first releases of these movies, “sound alike” voice actors would lip-sync with the pictures but eventually even a program would be designed that would analyse their speech patterns and allow someone to put in any lines you want.

This new kind of film making would eventually be cheaper than making films the old fashioned way, and people would always want to see their favourite stars in the prime of their youth whether they were Clark Gable or Johnny Depp. This would put struggling actors out of work permanently for everything but “art” films or “independents”, and I envisioned a kind of return to vaudeville for those who still were bitten by the acting bug.

Hey… I never said it was a good vision. It’s at best a mixed bag.

Twenty plus years later, and the visuals are still getting closer. We’ve been able to make Fred Astaire dance with a vacuum pretty easily, and place modern actors with tribbles, but we’re not quite there yet.

Audio has been even trickier. Check out Talking Gadget Theater: Blade Runner with Kindle 2 and i-Pod Shuffle. Folks are amazed at how much better computer voices have become at reading lines.

I, for one, am very glad we have a thriving, and talented audio drama community to keep the machines at bay… for now at least.

IT’S HERE

sonicgold

Sonic Gold
I wish I could say this is a metaphor but honest to goodness the Rogers and Hammerstein melody,

You’ll Never Walk Alone” is running through my head ceaselessly.
And while I’ve been running around like the proverbial chicken for the last week, the truth is, I’ve not walked alone.

This wonderful dream, of completing the circle and not just being able to offer free audio drama to the world, but now, to find a way to offer professional audio drama paid content to those who are interested for a reasonable price as well has just come true.

And while I’m still goofy with three hours sleep, I’d like to thank all of you who made it happen.
From the beginning… Mark Vanderberg from Colonial Radio Theatre who called me up one day this New Year in 2009 and literally said, “Jack, what’s holding up this Sonic Gold idea of yours?”
And then proceeded to offer everything in Colonial’s catalog for the first year to get us out of the gate and through some muscle behind us so I could approach a few other companies.
Jerry Robbins, who I’m proud to call a friend, and who has tirelessly and generously provided Colonials content to me, for this project and for others in the past few years.. and for both of them trusting that I would take care of their audio “children”.
Sable Jak who went to bat for this project for me to Jim French and all the people at Jim French productions, and who sent me the CD’s with so much cool audio drama that I’m kicking myself I haven’t had a chance to hear before.
Angelo Panetta from Radio Repertory Company of America who gave us this awesome taste for Anne Manx on the Sonic Society, and is providing us with a pile more of their product to try out this new way of distributing their own amazing shows.
Scott Hickey for jumping on board with “The Grist Mill” one of my favourite series of all time. Thanks Scott you just said, “What? How? and How Can I help?” Those are the best three questions in the world to answer.
The multi-talented Jon Baker from the famous Dick Dynamo show who emailed me out of the blue and asked, “How can I help? Can I offer you theme music?”, and then worked on MY crazy schedule to get it out. You’re the best Jon, thanks so much.

Speaking of the best, my friend Paul Campbell of Cossmass Productions. Not only has he set up AND hosted the new Sonic Society website that everyone has been raving about, but when I approached him about possible solutions to impliment a solid and secure podcast, he said, “Let me handle it Jack. I’ll build it.”
And he did.
This standing ovation is for you Paul. So much work and time went into this, and while I should have been helping him beta test it, he did it all himself. Patiently dealing with my screw ups with the system, answering my fool questions, and working out solutions to allow Sonic Gold to be accepted by itunes and promoting a range of options for Sonic Gold Members and memberships that I’m going to have to consider for the time to come.
I just can’t say “Thank-you” enough man.

The incredible Matt Leong from Clockwork Media and Draw Something Cool who always donates his awe-inspiring talents as an artist to us. First creating and donating the Sonic Society logo, then at least two posters, and now the Sonic Gold logo that we use. Go get Matt to make you something for your website, or for a friend. His prices are absolutely reasonable, and you couldn’t find a better artist not a more willing partner to make what you need. Matt can do it for you!

Marrcus “Crash” Beatty, who despite some people’s perceptions is the architect and sole creative force behind Audio Drama Talk. I get all kinds of inquiries as to “our site” at ADT, and the fact is while we may have suggested it on our show, Crash is the one who built the best forum I’ve ever seen. We’re just very very grateful to have the ability to play in it, and help out when we can. But talk about the best site for Audio Drama people to get together!

J.T. Shea who put up with “It’s not working. I deleted it again. I can’t find where to publish” while poor Paul was blissfully sleeping, and tested his account before anyone else. Thanks man!

Eric Bensen for coming out to record “The Dead Line” (hear him in the upcoming episode “Messages”!), Biff Straker (and as “Doctor Vester”!) and before everything as the “Waiter” in this first episode of “Sonic Gold Cafe”. Eric is an amazing director of theatre in Halifax, and is so much fun to work with, I can’t tell you.

And finally but not in the least, the least- folks- The Members. We brave and happy few, as Shakespeare put it “We band of brothers (and sisters)”. I am grateful for the Members trusting cash and time to believe in this, and for putting Sonic Gold as well as the Sonic Society as a priority in your lives.
It never escapes my notice that people went out of their way to say, “This is important”.

Business wisdom tells us that a company’s greatest resource is word of mouth from the clients… but I’d go further in this case and say, all the clients to me in Sonic Gold are family. They’ve been very supportive through out the years, above and beyond simply being listeners of the media. My hats off to all.

Wow. What a ride. And its only just beginning.

Episode 2 hits the feed on the 15th with the end of the month beginning our first double-sized feature!

Because great Audio Drama is pure gold!
Thanks Again Everyone,
Jack

The Man Behind the Ears

leonard_nimoyThe uber-talented Leonard Nimoy celebrated his birthday March 26th, and with the upcoming Star Trek movie, it’s important to look back at this giant of a man. Mr. Nimoy can do it all- Act, Write, Direct, and shoot amazing photos. I’ve hadone of his books of poetry for years.

As intellectually curious as his alter ego on Star Trek, Leonard points to his love of radio as an young boy. Shows like The Shadow, The Lone Ranger and I Love a Mystery fed his imagination according to this Celebrity Profile.

Getting your start through Radio drama? Sounds logical to us!

Happy Birthday Mr. Nimoy!

Conan Copyright Curmudgeons

Conan copyright trolls censor fan-readings of public domain stories

From Boing-Boing

Posted by Cory Doctorow, February 25, 2009 4:16 AM 

letter3b565
The Time Traveler sez, “Broken Sea Audio, a nifty non-profit audiodrama troupe has been threatened with litigation if they continue to adapt ‘public domain’ stories that were written by the late Robert E. Howard: ‘Broken Sea Audio Productions, headquartered in New Zealand, has shut down all their Robert E. Howard projects after receiving another threatening letter from the lawyers for Conan Properties International LLC (aka Paradox Entertainment). CPI is the limited liability company that claims all licensing powers over works by Robert E. Howard worldwide.’

“CPI says that since Broken Sea’s productions reach countries where these stories are not in public domain (a doubtful claim in itself) they have to remove all Conan material from their site. Under this logic, any country could hijack public domain from the rest of the world by just claiming a copyright never expires and could also claim fair use does not exist. ‘Take that etching of Charles Dickens off your website.’ could be the new rule.”

Damned right — IANAL, but I’m pretty sure that if Broken Sea Audio’s free Conan readings infringed upon CPI’s copyrights in Outer Freedonia, CPI’s remedy would be to sue Broken See in Outer Freedonia, and that that unless Broken Sea has assets in Outer Freedonia, the suit would probably end badly for CPI.

Old Time Radio Gets a Facelift!

Set your podcast feeds for a great new look at old treasures!

Bill Hollweg from Broken Sea Audio has done it again! It wasn’t long ago, when the superstar producer was looking at taking some of his favourite Old Time Radio shows and “cleaning up” the sound quality to return and improve the audio experience for a new generation to enjoy.

He had so much fun, and received such positive responses from those who knew about this little project that he went ahead and began his own podcasting series on it!

The OTR Swag Cast got off to a great start with music by the multi-talented Stevie K. Farnaby presenting Lux Radio Theatre’s Secret of the Incas starring Charlton Heston! A great OTR for those who have a love for pulp movies like Indiana Jones!

Start downloading now! This is going to be fun!

swagcast

Edit Like a Pro

So you want to make your own Audio Drama, or maybe you just want to look behind the curtain a little at how the amazing soundscape is created?

Angelo Panetta, producer from the RRCA is here to help you out. A veteren in both audio drama and those others with the moving image kinds, Angelo has a new blog designed to talk about the great art of setting the setting in a story.

Go check it out at Tell Your Story.

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