Long time listeners of the Sonic Society will know that I’m a fan of many writers, but specific writers have always driven me to be a better writer- Rod Serling, Robert E. Howard, J. Michael Straczynski, Alan Moore, Neil Gaiman, David Milch, Chuck Dixon, Steven Moffat, Alan Dean Foster, Dash Hammett as just some that come to mind. I have to give props to The Truth podcast. Jonathan Mitchell keeps producing what I adore- anthology tales that are full audio dramas. In this article from The Sarah Awards he details the process of going through and taking a Phillip K. Dick public domain story “Upon the Dull Earth” and adapting it.
In a world of story, it’s wonderful to hear the masters speak again through new voices. There’s a reason why Ray Bradbury felt that Colonial Radio Theatre’s adaptations of his work were the BEST done in any medium. In short, Jerry Robbins has an excellent ear for audio on the page, and assembles an incredible team, but also, as Jonathan could attest, audio is the best place for story.
Almost thirteen years ago now, 
There’s a huge discussion in the modern audio drama realms that often ends up being confrontational. The New Time listeners and the Old Time Listeners represent a stark contrast in the listening habits of those who love radio plays. This can be a good thing, in that the medium is growing so large that we are able to break down into smaller groups. However, I’ve always felt that there’s good stories in old time radio shows as much as there is in new time podcasts.