Category: Media (Page 4 of 45)

Movies for your Ears?

It looks like Hollywood has come up with an interesting idea. Why don’t we have Podcast Movies? The New York Times is struggling to have a name for it. Can anyone come up with something?

“Ghostwriter,” one of Cadence13’s new “podcast movies,” is a psychological thriller starring Kate Mara and Adam Scott.

Reggie Ugwu writes:

What do you call a podcast that presents a single, fictional story in 90 minutes? It might feel like a movie but clearly isn’t one. It recalls midcentury radio drama but involves no radio.

“You could say ‘feature-length podcasts’ but that just seems boring,” said Chris Corcoran, the co-founder and chief content officer of Cadence13, a podcast production company. “You want to exemplify the experience in a way that feels forward-looking but is still legible to the consumer.”

Corcoran’s preferred term of art, “podcast movie,” mashes two distinct categories together, reflecting the exuberance — and confusion — of this moment of media upheaval. (Movies themselves were once self-consciously called “photoplays.”)

Whatever the new form’s ultimate name, the content has arrived. This fall, Cadence13 released its first two “podcast movies”: “Treat,” a Halloween teen horror story starring Kiernan Shipka, and “Ghostwriter,” a psychological thriller led by Kate Mara and Adam Scott. A third is in progress, and others are circling similar territory. In April, Two-Up, a Brooklyn-based entertainment company (“Limetown,” “36 Questions”) released a “feature-length audio movie” titled “Shipworm,” and the children’s podcast studio Gen-Z Media published the “movie-length audio epic” “Iowa Chapman and the Last Dog” in August.

“Why does the format have to be confined to this notion of serialized stories?” said Ben Davis, a partner at the Hollywood talent agency William Morris Endeavor, which is collaborating with Cadence13 on its features projects and represents Two-Up. “The maturation of podcasting can unlock new forms of creativity and new outlets for creators.”

Descript to a Transcript!

From the Twittersphere Jade Madison Scott @JadeMScott took the time to pass off some wisdom about a service that could be really valuable for those struggling with transcripts.

Descript has an “Automatic and human-powered transcription with industry-leading accuracy and powerful collaboration tools.” So, if you want to try something that won’t cost a lot. Give them a try.
We may just get the Sonic Speaks interviews out in text form that way!

Let’s Make Podcasts More Accessible

Caroline Mincks provides a reasoned argument as to why it’s important to provide more opportunity and engagement in your audio podcast by providing transcripts in this article in Sounds Profitable.

Consider this bit of wisdom from the article:

“….the numbers were still staggering: out of 372 responses to the poll, 74.5% said that yes, they had avoided a show because of a lack of accommodations. That is 277 people – an overwhelming majority. 277 potential audience members. 277 people who could consume, rate, and review your podcast. 277 people who could share it with friends, family, and colleagues and grow your base (and, by extension, your earnings) exponentially.

Take some time, and take note of some great ways to provide more opportunity to your listeners!

Representing Deaf in the Audio Drama World

In this short talk, Caroline explores their history as a deaf creator of a fiction podcast that represents deafness. They clear up misconceptions about Deafness and the critical importance of its inclusion in how you approach your audio work. Check out the Transcript

Cassie Josephs’ guide to transcripts (https://discoverpods.com/podcast-accessible-transcripts/)

SPERDVAC Special!

If you’ve been around the Audio Drama/Radio Drama community for any length of time you should really join SPERDVAC!

As Martin Gram’s Blog explains, “The Society to Preserve and Encourage Radio Drama, Variet and Comedy traces its beginnings back to May of 1974.” This fantastic group makes a point of scanning and collecting radio plays that they offer their members to read and explore for a very small fee.

This Saturday, October 16th, at 4 PM Eastern Standard Time, our Jack Ward will be the guest at this month’s SPERDVAC’s live conference. Join Jack as he talks about the Modern Audio Drama movement and how this offspring of the Golden Age of Radio Drama has started to really bring back interest in the medium!

Entrance is free! Just click on the following link on the time stated! See you there!

The Ages of Radio/Audio Drama

The Ages of Radio/Audio Drama

There have been three waves of Radio Drama and now three waves of Audio Drama as well.

As technology and time advance new ideas and audio stories have taken the forefront.

What are the Ages of Radio Drama?

  1. Golden Age of Radio

The Golden Age of Radio lasted from the 1920’s to the 1950’s:

  • Was the first mass-market entertainment as people listened on their radios at their homes
  • Had no real competition until television arose in the 50’s
  • Began with many Hollywood stars, actors, producers, writers, who moved through movies, radio and sometimes into television
  • Identified that audio drama could be adapted from stage plays, movies, literary fiction, or original story concepts
  • Was the first time many comedians made their way into the homes of the nation
  • Created new opportunities for story and formats including sponsorships, and commercial breaks
  1. Silver Age of Radio

Often thought as roughly running between as early as the 1960’s to the mid-90’s but most examples are in the seventies and eighties:

  • Mostly broadcast through public radio.
  • The most popular were The Hitchhiker’s Guide to the Galaxy (BBC) and The Star Wars Radio Drama Saga (NPR)
  • Other examples were CBS Mystery Theatre (CBS), Nightfall and Vanishing Point (CBC), The Zero Hour (Rod Serling, Mutual Broadcasting System)
  • Full-Range sound effects, music, and “movie-like” quality
  1. Modern Age of Audio Drama

The Modern Age of Audio Drama arrived as early as the Internet but was slow in taking shape from late 1990’s to the present day.

  • Beginning with the ability to download from a website, user groups, or stream from an online radio, to Youtube, and most popular podcast streams as the main means of distribution
  • Shows are edited digitally as opposed to previous with reel-to-reel tape which makes for faster production times
  • Groups of fans of old time radio and who grew up inspired by the best of the Silver Age began producing mostly fan audio fiction (Star Trek, Star Wars, Doctor Who etc…) and then created original audio drama and their own fan base
  • Remote or Satellite actors would send in lines and an audio drama could be truly a global enterprise between like-minded writers, actors, and producers (Audio Drama Talk, Audio Drama/Radio Drama Lovers groups)
  • Websites began creating sharing original music and sound effects to aid in production (The Free Sound Project)
  1. The Three Ages of Modern Audio Drama

As radio drama has had three ages, the rapid pace of change in technology has seen three very distinct ages of the modern audio drama movement:

  • The Golden Age of Audio Drama- Beginning in the early 2000’s. A small group of fans dedicated to the audio drama medium produced and shared from a variety of user groups and websites. Word of mouth provided the most distribution and groups blossomed and grew creating fan-fiction audio and some original works with sound quality of voices varying as digital editing technology was in its infancy
  • The Silver Age of Audio Drama- Began around 2008 and continued to around 2013. This era represented a group of fans who also appreciated old time radio but were mostly inspired by the Golden Age of Modern Audio Dramatists and created works that reflected extensions to the kind of shows that they had experienced.
  • The Bronze (Current) Age of Audio Drama- Beginning in 2011-2012 with shows like The No Sleep Podcast, Welcome to Night Vale, or 2014’s Serial, the creators of these audio dramas by and large are unaware of the old time radio of the past or even the Gold and Silver audio dramas of the Modern Age. Instead they gain their inspiration from three different sources including Youtube confessionals, NPR style radio shows, and the rapid popularity of podcasts. Bronze Age audio dramas have also been given the misnomer “audio fiction” by some creators. Due to the most popular format that includes a “host” who talks through a story of some sort and engages “guests” either in studio or at some location. The host acts as a central narrator in these Bronze Age features. The Bronze Age does not usually draw inspiration from theatrical framing such as movies, television, radio drama, or the stage.

The Playhouse Gets Some Ink!

Fan of old-time radio and clever reviewer Mark Dreisonstok has once again arrived at the Sonic Summerstock Playhouse doors! This time he sets his sights on the amazing Shh! PRoductions Vintage Radio Hour submission for the Playhouse! Read more at MD TheatreGuide and enjoy the ride at the Playhouse this summer!

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