Tag: Welcome to Nightvale

Three Reasons to Say “Audio Drama” and not “Audio Fiction”

Well over a decade ago, we remember the conversation well: “What should we call radio drama now that it’s having a resurgence on the Internet?”

On the Sonic Society, you can hear us
ruminate in our show intros considering a number of terms- audio drama, audio theatre, audio plays, audio pulp, audio cinema, audio movies etc… It became clear that a single term was needed to best to describe the medium. Most people decided that “radio drama” didn’t cut it, because the medium wasn’t limited to radio anymore. So, almost by default, the consensus circled their wagons around: “Audio Drama”. And it has been that way ever since.

At least, it was. Recently, with the public discovering podcasts (Isn’t it amazing?!), audio stories have become hot commodities. About five years ago, on the Sonic Society, we recommended the name “Podficts” for podcast fiction. A lot of people rejected that moniker, but the term “podcast fiction” stuck as news agencies, anxious to come up with a global term for story in sound, tossed out as many things that didn’t say “old-fashioned radio drama” as possible. Naturally, folks jumped on the bandwagon. New producers rebranded their theatre-of-the-mind as “audio fiction”. But, there may be good reason not to jump ships midstream.

Now if you’re not running an audio drama podcast this wouldn’t apply. Maybe you’re reading short fiction stories, or non-fiction stories, or articles. In those cases, “audio fiction” is probably your best label. But, if you’re producing in the medium of multi-cast audio theatre here’s a couple of reasons to keep the name “Audio Drama”:

  1. Podcast or Audio Fiction is very generic. Imagine labelling movies as “Visual Stories”. Stories of the visual medium could be watching a puppet show in a public library, a YouTube clip of someone freaking out over the latest celebrity drama, a dramatic reading on the Oprah Winfrey show, almost anything that’s visually entertaining. Audio Drama is a very specific term for a very specific medium. Most people would be upset if they drove to a theatre expecting to watch “King Lear” and found instead they paid tickets for a political rally.
  2. In general, resist any “hot” new term like the plague. There’s only one “Serial” podcast. Only one “Welcome to Nightvale”. Only one “No Sleep Podcast”. Attempts to mimic their successes have usually fallen flat. Audiences want an original vision and not pale copies. Popular Culture in an attempt to always be relevant, continually tries to rebrand. They rarely succeed.
  3. The Audio Drama Community is growing but it’s small. Fracturing it with different labels risks losing our audience. It is a risk tagging “audio fiction” alone. Most of the audience, reviewers, and awards committees will be looking for “Audio Drama” and “Radio Drama”. Help them find you. Help them find us all.

Every time someone asks what is our favourite “audio fiction” podcast, we need clarification. Because our first thought is, “Do they mean Audio Drama? No, they must mean an audiobook podcast, right?”

In the Sonic Society, we love all audio tales. There’s no hierarchy of quality when it comes to terms. But, choosing the wrong term certainly creates confusion. “Audio Drama” is here to stay. Why not revel in it?

After all, “New Coke” successfully replaced “Coke Classic” right? Oh, wait a minute…

MADaM if you please!

Edge Studios website made a rather curious pronouncement recently.

” The heyday of radio drama gave way to television drama, but the genre never entirely died. It survived here and there — on radio, records, on-stage and the Internet – till now it has been coming back, in a big way.”

It looks like more and more folk are taking notice that the modern audio drama movement (MADaM if you will) has begun to take off. In this blog post from Edge Studios they name off the following popular shows:

“The Truth” is an early anthology series that debuted in 2012. The acting is naturalistic, but recent storyline is rather surreal.
“Welcome to Night Vale” is another early entry. It features a narrator rather than dialog, in what’s been called a “bizarre storytelling form.”
“Limetown” launched in 2015. It’s about a fictional reporter with (equally fictional?) American Public Radio, but it’s a podcast, not a radio program. Reviews have compared it to The Message, and Limetown has been similarly popular at iTunes.
“LifeAfter” the second series produced by Panoply and GE Podcast Theater, which they launched late in 2016.
“The Message” is kin to “General Electric Theater” in the golden days of television. Will this someday be referred to as the “golden days of podcasting”? If so, what will have changed or emerged by then?
“Alice Isn’t Dead” emerged to haunt 2015. Fantastical, but definitely not a comedy.
“The Orbiting Human Circus (of the Air)” features a multi-person cast, and well-known guest stars Tim Robbins and Mandy Patinkin.
“A Night Called Tomorrow,” available only through Howl, a collection of content for $4.99 a month.
“Fruit” is also on Howl, but previews and at least some episodes are available elsewhere.
“Homecoming” is a “psychological thriller” cast with A-list actors. Now you know what voice actors like Oscar Isaac, Catherine Keener, David Schwimmer, David Cross, and Amy Sedaris have been doing lately.
“Serendipity” is called “a preview of audio drama’s future” by the New York Times. It presents audio fiction gathered worldwide.

Some of these shows you’re recognize as podficts, and some of these are behind pay walls. Go read the original article and remind them, that we’ve been here watching the slow boom of our beloved medium for a while now.

Welcome to the MADaM!

Alice May Be Unwell

aliceisntdeadThe folks who brought you Welcome to Nightvale are at it again with Alice Isn’t Dead, available for downloads tomorrow. Podficts or “podcast fiction” seems to be the latest rage with so many previous shows becoming wildly popular. Similar to mockumentaries, these serialized stories are meant to appear to be factual events but are told in a fictionalized scripted form. I’ve seen many audio dramaphiles frustrated with this latest turn of the podcast screw, but we at the Sonic Society think it can only bode well for audio drama’s rise.

The more people listen to audio fiction, it’s only a matter of time before their ears turn towards audio dramatic entertainment.

In the meantime, enjoy the ride and tune in! After all, ink in the New York Times isn’t going to hurt their exposure.

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