Tag: Star Wars (Page 2 of 2)

When The Force Awoke

starwarsJohn Madden was “making movies with the lights turned out” by releasing the incredible NPR Star Wars radio drama. With the help of Brian Daley, this never before tried extended series of the original trilogy was an instant sensation and starred Mark Hamill (who Madden proclaimed as a “natural” in radio drama) and Anthony Daniels of C-3P0 fame. Other stars included Ann Sachs as Princess Leia Organa and Perry King as Han Solo (a film role he lost to Harrison Ford, but ended up playing the swashbuckling Solo longer in the extended series than Indy himself).

As The Force Awakens breaks all box office numbers known to humanity, have a listen to NPR’s remembrances of when radio drama sparkled after a low fizzle for decades in That Time NPR Turned ‘Star Wars’ Into A Radio Drama — And It Actually Worked!

And Now a Sound Effect from Star Wars

Remember Star Wars? It was quite the thing in the day (and if you believe the hype it will be again starting next year. George Lucas wasn’t just the King of visual effects, he also pioneered in a pile of really unique sound effects. Here’s an incredible look at how the breakdown of the Millennium Falcon’s engines sounded!

Who Listens to Audio/Radio Drama?

radiodramaWho listens to Audio Drama anyway? That’s always been the big question we who create new Audio plays always asks. Is this a medium that’s still mostly appreciated by Baby Boomers? Or is it the Gen X’ers who listened to A Hitchhiker’s Guide to the Galaxy and The Star Wars Radio Drama in the eighties which sparked their imaginations for all things audio?

Well, David Farquhar from Moonlight Audio and Voices in the Wind Theatre has some interesting stats.

Without taking up more ink, let’s let David describe his findings.

 

WHO LISTENS TO AUDIO THEATRE? YOU MAY BE SURPRISED!

Audio Theatre or Audio Drama is a dramatized, purely acoustic performance and with no visual component, depends on dialogue, music and sound effects to help the listener imagine the characters and story. As noted by Tim Crook in his book Radio Drama Theory And Practice “It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension.”

Audio Theatre has been around in one shape or form since the 1880’s when they were listened to on cylinders. It wasn’t until the late 1920’s that audio theatre achieved widespread popularity on the emerging medium of radio. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s, however, audio theatre lost some of its popularity, and in some countries has never regained large audiences. So, does this mean that this once popular art form has just faded away into oblivion? Only listened to by the over 65 crowd?

Now, this is where it starts to get really interesting! By looking at the download demographics we can find the answer as to what age groups are actively listening to and downloading audio theatre.

(The following statistics are derived from Moonlight Audio Theatre’s website traffic and download traffic as calculated by Google Analytics and Moonlight’s Podcast Provider)

DOWNLOADS / LISTENS BY AGE GROUP
18-24 – 27.5%
25-34 – 33.5%
35-44 –15.50%
45-54 – 12.50%
55-64 – 5.50%
65+ 5.50%

As it turns out it’s the under 34 age group that represents the majority of audio theatre listeners at 61% compared to the over 55 age group that represents only 11% of listeners. If you include in the 35-44 age group that percentage increase to 76.5%! The ratio of male to female listeners is approximately the same with males at 54.15% and females at 45.85%.

So clearly, the modern day revival and rejuvenation of this old art form is being driven by a younger demographic and by technology. The visionary media guru Marshall McLuhan once said ‘The medium is the message’ and that medium today is the Internet, Smartphones, Tablets, Apps etc. It’s ‘Cool’ to listen to audio theatre.

Audio Theatre has never faded away; it just keeps morphing with the times. As long as there is a good story to be told, there will always be an audience for this most imaginative and creative art form called audio theatre.

David Farquhar, Producer
Moonlight Audio Theatre
http://www.moonlightaudiotheatre.ca/

It’s (not) a Trap!

 

Ninety year old Erik Bauersfeld sure loves Radio Drama and his voice has certainly been the stuff of legend. Check out this pro as he gives you some of the most memorable Star Wars characters from Return of the Jedi and asks you to give Audio Theatre a chance!

Look Who’s Fanboy Ear Candy!

Shooter from Furious Fanboys wrote a great article on his picks for Top 5 Bits of SciFi Earcandy and guess who got two nods of the five?

Before we let the cat out of the bag lets take a moment and give a nod to the other three mentioned:

1. National Public Radio Star Wars Series– Who can deny one of the greatest audio drama adaptations of the classic George Lucas myth of all time.

2. Wormwood- A Serialized Mystery– This mystery series came out of nowhere just two years ago and took the audio community by storm. Not only did we have a ball playing them on the Sonic Society, but they swept the first season of Uni Awards an instant fan favourite.

3. We’re Alive- If you’re looking for one of the greatest reasons why serialized Audio Drama is one of the most powerful mediums, look no further than the exciting Zombie series “We’re Alive”. Another great find for the Sonic Socierty, this tale about survivors held up in an apartment building in LA is compelling action horror!

And now for the our connection:

Firefly Old Wounds and the Sonic Society were both mentioned as two other gems in the Earcandy list.

But don’t just take our word for it. Go read for yourself!

Want to Live Forever?

With thanks to Bill Hollweg from Broken Sea for passing this out to us!

Finding great help to make good audio drama is always a special treasure, and this is no exception. Thanks so much for the folks that put this fun series together. Check it out!

F.A.M.E.
Since the launch of Star Wars Fanworks in 2003, we have been featuring not just fan audio productions, but articles on how it’s done. With tutorials, features, casting calls, and other methods, we have hoped to act as a parton of the fan audio art form, particularly among Star Wars fans.
From August 2005 through January 2007, Star Wars Fanworks offered fan audio listeners the F.A.M.E. podcast series, better known as Fan Audio Made Easy. In this series of short tutorials and hints, longtime fan audio community members like Rayzur’s Edge Audio’s Nathan P. Butler and Outcast Multimedia’s Rich Sigfrit share the insights they’ve gleaned in their years of fan audio experience with the genre’s newcomers, in the hope that the field will continue to grow in the years to come.

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