| For the second week in a row, we are pleased to bring back Cary Grant to the stage! The double feature on Sonic Echo tonight comes fromGulf’s Screen Guild Theater with “On Borrowed Time” and “Arsenic and Old Lace”. Two great comedies that laugh great together! |
| David Ault sits down and chats with the David Cummings from the grand and wildly popular horror, No Sleep Podcast. |
| On the big old time radio show tonight the showcase inspiring Screen Directors’ Playhouse with “Shadow of a Doubt” starring Cary Grant and featuring our screen director des jours, Sir Alfred Hitchcock! |
In an interesting article in Midroll, Paul Riismandel argues that a recent critical article from Variety entitled “Why Serial Won’t Do Much for Podcasting or Hollywood” just doesn’t get it. The Variety article suggests exactly what it promises in the title- in that the explosively popular Serial from NPR won’t make any inroads into adapting its radio series into movies or even make a breakthrough for the relatively small listening audience of the podcast.
Riismandel, however provides a couple of examples as to how that’s already happened, and podcasts are ready for the big show. What do you think?
| Jack and David travel to the fresh beginnings in the Audiospace with Alba Salix, Royal Physician from writer/director/producer, Eli McIlveen! |
| This evening Jack has a chat with producer, actor and Reaper Raconteur Michael L. Stokes! |
| Starting Showcase Months for March and April we present for Sonic Echo, Studio One’s “Ah, Wilderness”. Be sure to go to archive.org and grab all the great episodes available in Studio One to get you through the weekend! |
| Jack and David try to rejump the TORTIS after its latest power drain crossing the unwinding Audioverse and park towardsFinalrune’s The Cleansed- Episode 3 of Season 2 and finishing up with one of Misfit Audio’s grand 5 Minute shows “Alice in Wonderland” |
| Bryan Lincoln from Lincoln Audio Productions sits down to talk with Jack about the differences of audio drama, podnovels, podcasting, and the possibilities of productions for profit. |
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