
Jeff brings to the Amigos Lothar and Jack the classic Ray Bradbury story “Fahrenheit 451” produced by BBC Radio. A massive discussion about the nature of freedom, censorship, television and books occurs!
Showcasing the very best in new Audio Drama
Jeff brings to the Amigos Lothar and Jack the classic Ray Bradbury story “Fahrenheit 451” produced by BBC Radio. A massive discussion about the nature of freedom, censorship, television and books occurs!
When you’ve been in the audio world as long as we have, you’re used to seeing podfaded shows.
Many excited groups get revved up for a season, sometimes only a few episodes, and then go dark as life, interest, and various other factors get in the way. Audio Drama is not a game for the weak-hearted. It takes a lot of determination to produce regularly, and send your creativity out to a distant crowd. I’ve set many a local actor’s heart a flutter when I’ve told them the number of listeners are hearing their characters. Compared to the little theatres of Halifax, which have a large crowd at 50 or 70 people, it’s exciting to think of thousands of engaged fans.
But it’s also really lonely. You probably won’t hear from 99% of the people out in the RSS void. Only a few listeners will email to tell you if you’re doing well, and worse still most won’t bother telling you if they’ve left the feed. Live theatre on the other hand is instant praise or criticism. The stage is immediate and engaging and I get that.
As I’ve said, we’ve seen people come and go here at the Sonic Society, but there were always a few columns in the audio drama coliseum we could lean against. Giants, that are some of the great innovators of the modern audio dramatic landscape. Bob Arnold and Chatterbox Audio Theater, by any measure are examples of great innovators. For years, I’ve used some of Chatterbox’s promotional youtube clips in my classrooms to titillate the next generation of students. Chatterbox Audio captivates audiences with their retelling of classic tales, and their new productions that grip the imagination timelessly.
Chatterbox is shutting down.
I can’t even say that out loud without stifling a sob. I’ve never met Bob. I’ve never knowingly run into any of the Chatterbox folk, but I feel very privileged to know their work. Bob and I have exchanged many emails through the years. It was my honour to write Tulpa for a Chatterbox Halloween Season. Their performance of that script still takes my breath away.
Chatterbox is shutting down.
I’ve always had a secret dream to go visit their studio when they’re performing- maybe even take a minor role among the hallowed ranks, and bring to life a classic. Maybe “The Cherry Orchard” or “The Tales of Perseus”. Maybe a sequel to their triumphant “Surfacing”. Maybe a lost short story of Ray Bradbury’s. The possibilities are enticing.
Chatterbox is shutting down.
I leave the last words on the subject to Bob Arnold and his heartbreaking post Dimming the Lights, I need to go and download their entire catalogue again. I don’t have the fortitude yet to say adieu.
Long time listeners of the Sonic Society will know that I’m a fan of many writers, but specific writers have always driven me to be a better writer- Rod Serling, Robert E. Howard, J. Michael Straczynski, Alan Moore, Neil Gaiman, David Milch, Chuck Dixon, Steven Moffat, Alan Dean Foster, Dash Hammett as just some that come to mind. I have to give props to The Truth podcast. Jonathan Mitchell keeps producing what I adore- anthology tales that are full audio dramas. In this article from The Sarah Awards he details the process of going through and taking a Phillip K. Dick public domain story “Upon the Dull Earth” and adapting it.
In a world of story, it’s wonderful to hear the masters speak again through new voices. There’s a reason why Ray Bradbury felt that Colonial Radio Theatre’s adaptations of his work were the BEST done in any medium. In short, Jerry Robbins has an excellent ear for audio on the page, and assembles an incredible team, but also, as Jonathan could attest, audio is the best place for story.
Audio Drama is replete with people who put their nose to the grindstone. Many producers work extremely hard to produce incredible productions. But who are the hardest working producer/writers in the modern audio drama movement? To tunnel down the list, it’s important to keep in mind that many producers like Dirk Maggs (Perfectly Normal Productions) and John Ballentine (Campfire Radio Theater) take longer to produce very high level productions. To make our list of hardest working producers/writers we have to look at consistent releases, and a hand involved in all parts of the process from writing, directing, acting, and audio editing.
Here’s our list.
5. Bill Hollweg (Broken Seas Audio)
While Broken Seas has slowed down its production releases from their heyday several years ago. One producer remains tireless in his production grind. Working daily to produce everything from original shows such as Jake Sampson- Monster Hunter, The Saga of the Grog & Gryphon, to 2109 AD, to his beloved recreations and adaptations to Planet of the Apes, Battlestar Galactica, a certain unmentionable dark haired barbarian, and most recently Amity- Dark Waters, Bill continues to tirelessly provide entertainment to the BSA fan crowd. His dedication to all things audio drama extends to his love song to the old time radio days with Swagcast where he painstakingly works to get rid of the buzz from the poor recordings to provide clearer production sounds. Bill works several jobs, and natural insomnia has him up editing and writing late at night and early in the morning before his classic work day begins.
4. Pete Lutz (Narada Radio Company)
Deep into season three, Peter Lutz is following in the footsteps of his hero Orson Welles in creating the anthology series Pulp-Pourri Theatre. In three years, Pete has produced over thirty shows pulled from public domain pulp stories, classic theatre tales, and original scripts. Rumour has it, Mr. Lutz is working steadily on a long series of western stories to be produced by NRC. Award winning, Pete Lutz keeps rolling out more and more hour long and multiple hour long productions that he puts in archive.org for your listening pleasure!
3. Gregg Taylor (Decoder Ring Theatre)
Moving down from our solid second place spot is Gregg Taylor from Decoder Ring Theatre. Perhaps one of the most prolific writers in the modern age of radio drama, Gregg used to release a brand new show every other week. A release schedule that was only breeched once since they began eleven years ago (the same time as The Sonic Society by the way). Gregg has moved more recently to a monthly release schedule, but that doesn’t mean he’s become less productive. The author of over a dozen novels and comics, based on his iconic brands The Red Panda and Black Jack Justice as well as other stories, Mr. Taylor epitomizes- the now legendary mantra update- of “how to get to Carnegie Hall” for successful podcasts everywhere, “How do you get listeners? Consistency. Consistency. Consistency.”
2. Jeffrey Adams (Icebox Radio)
If there is one true innovator in the world of free modern podcast audio theatre it is Jeffrey Adams. Jeff created Sound Stages which began initially as a precursor to the Sonic Society and then transformed into the 24 hour, seven days a week live audio drama Internet radio station that you can hear today. Jeff’s original works became the award winning foundation of his stories that he set in “the land of the Icebox” near International Falls. Icebox Radio officially became a non-profit organization with memberships, donations and an executive council. Most recently, Icebox Radio has made the transition to Radio Icebox in which Jeffrey has taken his talented pen, directing skills, and production experience to run a continuous serial about a strange northern town cut off from the rest of civilization.
1. Jerry Robbins (Colonial Radio Theatre)
There are several talented audio drama companies, very few are driven predominately by a single writer, director, producer, and actor. For over two decades Jerry has written and produced hundreds of radio plays- first released on cassettes, then CD’s and now through downloads. Colonial Radio Theatre has been given dozens of awards, and has had the opportunity to work with personalities such as Ray Bradbury and Walter Koenig. Jerry has written and produced well over a hundred episodes of his western saga Powder River and their catalogue includes everything from children’s tales, horror, mystery, drama, comedy, action adventure, historical drama, fantasy, and science fiction. CRT has adapted classic novels, famous plays, comic books, and television shows. Jerry has also created such indelible original series such as Jerry and the Pirates, Beacon Hill, Royall House, The Dibble Show, and Ticonderoga. His production from William Luce‘s radio adaptation of the one man play Jerry became known for Barrymore tops this reviewer’s list of must listen audio. There is little doubt as to why CRT remains at the top of Amazon audio book charts month after month because they are always producing, and always releasing.
This list is far from complete. There are so many writers and producers out there that work extremely hard on their productions but may have more spread out release dates. Some are fairly new on the scene (only a year or two beginning). Many more take long deserved hiatus from their works, and still others find life interrupts their passion for making radio plays.
This list is not meant to overlook the fantastic community of which I happily belong, nor suggest that one radio drama production is arbitrarily better or worse than others, but rather to give my thanks to those who work and release consistently and unendingly in their pursuit to provide to us- the listeners- their audio dramas.
Thanks to all, and may the list above inspire you to get more productions out there!
Here’s a treat! Colonial Radio Theatre (Check out their new gorgeous look for the website) unveils a large trailer of their adaptation of Ray Bradbury’s Martian Chronicles.
What a great collaboration this has been in the audio world!
CRT and Bradbury have put together other great gems like
Something Wicked this Way Comes
and Dandelion Wine.
Order your Martian Chronicles now… and enjoy one of the great classics of Bradbury done by his own favourite audio drama team!
Episode 5 of Sonic Summerstock Playhouse, the show that brings you famous Internet Audio Drama Companies and their recreations of OTR classics presents Ray Bradbury’s classic tale of Science Fiction Horror “Zero Hour.” A grand tradition brought to you by the fantastic folks at Scattered Sounds Productions.
With grateful thanks to Rachel Cavic. Our guest host tonight- Jack Ward.
© 2025 The Sonic Society
Theme by Anders Noren — Up ↑