The Amigos are back and saddled up to ride down the trail with westerns for Season 4! They begin their journey with the classic western favourite- Gunsmoke!
Tag: Gunsmoke
The world Modern Audio Drama movement seems to be in full swing with Audibles announcement in driving paid audio productions for the future, so it’s worth considering what are the story sources that drive audio drama tales.
1. Stage Plays: Many great audio drama from the classics of Theater Five, Radio City Playhouse, Campbell Playhouse, and First Nighter to the modern shows of Crazy Dog Audio, Bunbury Banter Theatre, and Chatterbox Audio.
Elements You May Find in Stage Play Sourced Audio Drama:
– Classic re-tellings of literary or dramatic stories (like Oedipus, Shakespeare, Mark Twain and others)
– Experimental theatre using the conventions of audio drama to specific advantage (like “Danger” with the entire story in the black out of a coal mine, or taking the perspective of an elbow talking to an eyeball on the same body)
– Staged settings that feel like you are watching a live performance
– Stage presentations with actors who project as if from a stage to a live audience
– Sound Effects and Music that are produced live during recordings
– Recordings where actors are miked in the same session
– Stories focused on deep themes and imagery
– Stories that can be character driven
2. Radio Plays: Old Time Radio Drama produced it’s own style of storytelling from Dimension X, Gunsmoke, and The Adventures of Sam Spade to Decoder Ring Theatre, Campfire Radio Theater, and The Thrilling Adventure Hour.
Elements You May Find in Radio Play Sourced Audio Drama:
– Serialized stories in fixed lengths
– Series narrators that establishing setting, initial conflicts and mood
– A wide-variety of genres but especially emphasizing science fiction, fantasy and horror
– Minimal sound effects
– A focus on plot driven stories
– Cross-over characters and plots from similar themed series
– Six or less characters a show
– Continuing characters in a series
3. Movies (Cinematic Film): While television owes much of its format to Radio Plays, cinematic storytelling has a long history from Lux Radio Theater, Academy Award Theater, and Star Wars NPR to The Witch Hunter Chronicles, Second Shift, Broken Sea Audio, and the works of Dirk Maggs.
Elements You May Find in Film Sourced Audio Drama:
– Rich Soundscape with textured sound effects
– Modern storytelling with complex social issues
– Long-form serials based on popular cinematic themes/stories
– Profanity and adult situations
– Large casts of characters
– Modern and rich musical themes
4. Podficts (Podcast Fiction- Youtube Confessionals/Public Radio): For a while, it looked like many audio dramas were coming strictly from a public radio style of documentary format like This American Life and WireTap but certainly some of the same story impulses have arisen from the “confessional” style of video seen in youtube such as LonelyGirl15. You might consider this audio drama style postmodern examples are plentiful from Lost in Williamsburg, The Black Tapes, Tanis to Subject: Found, The Box, and Point Mystic.
Elements You May Find in Podcast Fiction:
– First person storytelling with host/narrator
– Personality-based (often person) stories with emphasis on social issues and diversity
– Long form “chapter” episodes often with recaps for previous weeks and previews for next episodes
– An emphasis on informal, often slang dialogue filled with regional colloquialisms
– A variety of production techniques from simple to complex adding to the tone of the storytelling
– Documentary or “Found Footage” style storytelling
Each of the Four Sources have their own benefits and drawbacks and often cater to different listening audiences. If you’re a writer, which style do you prefer? If you’re a fan, which do you seek out to listen?
Texas Radio Theatre podcast with Rich Frohlich presents “The Atomic Trap” from Sky King in a live read through performance, while our actors at Electric Vicuña Productions take the stage with Gunsmoke “Sins of the Father” and the guiding hand of Richard Summers. All here on the penultimate episode of Summerstock Playhouse 2016!
With the a cloud of dust and the burning acrid smell of GUNSMOKE. The premiere of Sonic Echo has Jack introduce William Conrad as Marshall Matt Dillon in the classic series with “Billy the Kid” and “Jaliscoe” from archive.org! 
As mentioned on last week’s Sonic Society, we’re hard at work putting together a structure that I’m calling “The IMDB of Audio Drama”.
There’s a co uple of phases of completion needed:
Phase 1: Design– Progress 35%
Phase 2: Testing
Phase 3: Importing Documents– I’ll be putting up for folks an Excel Spreadsheet with instructions to allow various Audio Drama companies and individuals to complete their files and mass importing and correcting any mistakes.
Phase 4: Usernames and Passwords- I’ll be opening the floor to people who want a username and password to begin the process of maintaining and entering new content as it comes. This new phase will allow for an “Editors” window in which anyone with Editing ability will see all documents that have been Entered and be able to edit, delete, or approve into the wider database.
The platform is built solidly on the Lotus Notes database structure which is amazing for unstructured text, and robust enough to hold up to 64 gigs of data.
Here’s my pass at the front end. Notice this screen shot was cropped before it says: “© COPYRIGHT 2011 ALL RIGHTS RESERVED FOR THE INDIVIDUALS AND ORGANIZATIONS INVOLVED”
So why this? Why not?
Loads of people have been making some awesome tools, but this kind of spot has always been one of my dreams. A one-stop shopping place for people to look up Actors, Musicians, Producers, Audio Drama plays and Audio Drama Organizations. Want to see all the plays with Mark Kalita? Or scripts written by B.K. Turning? Or available episode of the OTR classic Gunsmoke? Here’s where you will get it all!
Cheers!
Jack
