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Dirk Spielberg

I think I’ve been saying this for some years now, and most recently in the Bill Hollweg Retrospective but Dirk Maggs is to the audio drama medium as Steven Spielberg is to movies. Master of the Film Source of the modern audio drama movement, Mr. Maggs has been working tirelessly producing action adventure audio for many years now.

So naturally Audible Range asked the question Who is this Dirk Maggs and why does he rule so hard? Because one of the wonderful things about Audio Drama is it keeps getting rediscovered again and again!

Dirk speaks about his experiences with audio drama and his new X-Files release. Check out the interview, and if you want to hear the man himself as he abides, check out our interview Maggsnifiscent Audio.

Shepard Tones

Just watched Dunkirk with my colleague and I was interested in how this tension was developed through the ticking clock. According to nofilmschool this is all about a Shepard Tone.

Do you use Shepard Tones in your audio drama? Maybe it’s time to start ratcheting up the tension!

 

 

Old School Broadcast

While not exactly electronic or even electric, the Mystery of Greek Amphitheater’s Amazing Sound Finally Solved according to live science. Every good audiomaturge (yes, it’s now a word) understands the importance of making the best opportunity of your sound waves. The Greeks weren’t just experts in warfare, but also sonic tactics through the use of “audio traps”. The corrugations of the seats are part of the key. We always knew that we have created our audio works on the backs of giants, it’s not often that we’re reminded that they were some of the greatest myth makers too!

Sharpen Your Pens, Shake the Dust out of your Microphones

Wired recently wrote an article entitled: Where is Hollywood Looking for its Next Hit? Podcasts.

From the article:

Like books, podcasts prove that a story works, that listeners like it and will keep coming back to follow it. More importantly, podcasts can prove an idea’s viability at a fraction of the cost of producing a TV pilot. “It’s essentially a prototype of a produced franchise,” says Chris Giliberti, the head of multi-platform efforts at podcast company Gimlet Media. “In Silicon Valley terms, this is an MVP.” And in the past year, TV producers have started to recognize podcasts’ value. Amazon announced last fall that Gale Anne Hurd, who helped transform The Walking Dead from a beloved comics series into a beloved TV series, would be adapting the horror show Lore for the streaming service. ABC is already working on Zach Braff’s Alex, Inc., an adaptation of tech industry podcast StartUp. And now, Mr. Robot creator Sam Esmail is adapting Gimlet’s Homecoming for Amazon, starring Julia Roberts.

For a long time now we’ve been arguing that a good audio drama is a great idea to sell to Hollywood. It’s a fraction of the cost with the entire story in tact. Nice to see that others are getting the same idea.

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