Gwendolyn Jensen-Woodard from Gypsy Audio ” features the amazing “Philadelphia Story” in this gala performance of Sonic Summerstock Playhouse! 
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Rachel Cavic from Scattered Sound Productions and “While Whispers Wait” brings us all “Back to Christmas” for this episode of Sonic Summerstock! 

David and Jack bring the launch of the Sonic Summerstock Playhouse 2013 features “The Dentist” from John Ballentine and Campfire Theater!
In the finale for Season 8, thanks to incredible generosity of Jerry Robbins and the award winning, constant classic producing Colonial Radio Theatre team we have two phenomenal shows from their fantastic series: “Father Brown Mysteries” and “Jeeves and Wooster”

White Streak Studios and Susannah Cavill present Part 2 of the incredible “Jack’s Women” in the penultimate ending of Season 8 of the Sonic Society.

Jack and David find themselves in 19th Century England with a familiar “serial” favourite Jack with White Streak Production’s “Jack’s Women”- Part 1
Jack and David find themselves walking down the strange halls of Lewis Carroll’s “Alice in Wonderland” thanks to the amazing Voices in the Wind starring Georgia Lee Shultz and Barbara Rosenblat and produced by David Farquhar.
Jack and David relax in a garage picking up the Wireless Radio Company‘s “The Mighty Carlins” Part 2, written by Colin Doyle and directed by Paul Blinkhorn!
Jack and David find themselves back in the Wireless Radio Company‘s universe with the enigmatic comedy “The Mighty Carlins” Part 1, written by Colin Doyle and directed by Paul Blinkhorn!
A Prairie Home Companion‘s ultra talented Sue Scott speaks about the benefits of voice acting in Ann Arbor, and the power it provides to “shape shift” for the audience. Scott gushes, “Some voices I would never be able to sustain on a stage, because you have to project, and reach back of the house Somewhere in America, the Home Companion is coming your way. In Canada, we have our own Vinyl Cafe with Stuart McLean ,” said Scott. “For radio, the mic is right there, so you can use really intimate voices, or strange, scratchy voices I could never do for 7 or 8 performances a week on a stage. So it’s fun to find whole different category of voices. … I come from theater, but (fellow APHC actor)Tim Russell comes from radio, so we meet somewhere in the middle.”
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