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It’s not Foley, but it’s still great Sound Effects!

A Sound Effect Blog has a very interesting post on how to create horror sound effects.

It’s a detailed discussion from sound designer/re-recording mixer Joe Dzuban who has worked with some great horror masters of film today like James Wan and Guillermo del Toro.

While I bristle at the word “foley”- a term that’s used for movies and not really applicable for the sound effects we develop in audio drama, its great to have access to it. After all, foley is created to provide sound to coincide with footage shot with film. Audio Drama SFX are used live, as well as in post-production but created not to represent the sounds in visuals but rather to build story from the acting and the script. I’m known for not “crossing the streams” of my artistic endeavors even though I appreciate each and every form. But, if our medium matters, it’s important to give Audio Drama it’s due. You wouldn’t call the pages of your best-selling novel, “slides”, so why “foley” instead of “SFX”?

It is true that many people come to Audio Drama being visual consumers of story first, and that explains why so many think of foley as being the first term that comes to mind, but what’s more important is that we can find some crossover with the mediums, just like we do with live stage plays, comics, or audiobooks. Audio Drama is the most flexible of artistic mediums as it can wander across all others (except perhaps Miming!).

The key element is that generated sound in audio drama requires the listener to understand what the producers and writers are marking as important. While film can contrast foley against images to provide discordant tones and even moods, Audio Drama requires accuracy so that a fluency of sound creates a congruent understanding of the full setting and meaning of the story.

So, check out what tricks and tips in the above article might work well in an audio drama sound effect library, and bring your thoughts into the comments.


About The Author

Born to Teachers and Amateur Audio Enthusiasts in the small rural community of Belwood, Jack's first love was stories- writing, reading, telling, and singing. He developed his acting skills through High School, University, and through film and community theatre. Jack writes the lion's share of Sonic Cinema Production's (previously Electric Vicuna) Audio Drama scripts and has his own writing site at www.jackjward.com. Jack also is the middle of book writing, screenplay production, and is the CEO of the Mutual Audio Network- where he and the best people in the world Listen & Imagine, Together!. He's thrilled to co-host the Sonic Society with his wonderful, talented, friend David Ault as they enter their second decade in the medium!

Comments

2 Responses to “It’s not Foley, but it’s still great Sound Effects!”

  1. soundboard says:

    This is a cool discussion! I never really thought about the difference between foley and SFX in audio dramas. Makes a lot of sense though, gotta build the world with sound alone! Thanks for sharing!

  2. Jack says:

    Thanks for reading! All the best to you in your next audio adventure! – Jack

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