Category: Media (Page 17 of 46)

Mark Time 2016

Mark-smEvery year the Mark Time Awards present some of the best audio drama has to offer. The 2016 Awards were presented at the Hear Now Festival and has expanded its usual fare from the award for best science fiction drama (Mark Time) and the best horror drama (Ogle) to The Danger Prize, The Bradshaw, and The BettyJo.

The Sonic Society congratulates this year’s winners:

From the Mark Time Award’s Page:

The Ogle Award, named for Charles Ogle, the first portrayer of Frankenstein’s Monster on screen, is given in two categories, Horror and Fantasy. The Gold Ogle for Horror went to “The Masque of the Red Death,” produced and directed by William Dufris, who accepted in person. The Silver Ogle was won by “To The Manor Borne by Robots, Episode 5,” written, produced and directed by John Eder.

Winning the Silver Ogle for Fantasy was “The Springheel Saga: The Secret of Springheel’d Jack,” from London’s Wireless Theatre Ltd., producers Jack Bowman, Mariele Runacre Temple and Robert Valentine.

The Mark Time Award for Science Fiction, named for one of Ossman’s Firesign characters, was won by Jonathan Mitchell of New York City, who was also named Producer of the Year for a trio of short pieces, “Visible,” “The Last Job,” and “Santa For President.” He appeared via Skype. In addition, Tom Ligon, in the role of Santa, won the Betty Jo for Best Actor. The Betty Jo honors Firesign’s Phil Proctor, man of many voices.

The Silver Mark Time went to the Atlanta Radio Theatre Company for “The War of the Worlds: The Untold Story,” produced by David Benedict.

Additional Finalists were John Holland for “The Cure,” Marty Durlin and KZMU, Moab, Utah for “Downtown Abbey, Episode 3: Denial in So Many Forms,” and Pete Lutz and Pulp-Pourri Theater for “The DNA Pit.”

The Nick Danger Prize honors Firesign’s Phil Austin in memoriam and his immortal character, known for his “third eye.” It is awarded for the best in mystery and noir detective genres. There was a single Finalist, “Brass – A Steampunk Adventure Serial” from Battleground Productions, Seattle, written and directed by John Longenbaugh, sound design and production by Nick Abercrombie,

Ossman announced a new prize for Audio Comedy, called The Bozo Knows, open for entries in 2017. Information on entries and the Mark Time Awards history, previous prize-winners, Grandmasters, and Hall of Fame can be found at www.marktimeawards.org.

The Awards Ceremony was held as part of an Otherworld Cabaret, which featured high school students from the Paseo Academy of Fine and Performing Arts where the Mark Time SoundPlay audio workshop is in its second year of production classes and activities. Youth participants presented four short original audio plays which were written, performed, and sound designed by them, as part of the Mark Time Awards performance. Members of the 2016 Mark Time Academy included Carissa Stevens, Mel Jones, Kaden Vladimir, Travon Wainwright, Mahryn Barron, Trail White, Ethan Anissy, Marcus Robertson, and Kahlil Odums.

Young audio artists of the Paseo SoundPlay Workshop will be seen again as part of the Future Stages Festival at the Kauffman Center for the Performing Arts, June 26th at 3 p.m. on the outdoor stage.

The Mark Time Awards and SoundPlay Workshops are made possible by a grant from the Leo Gilbert Wetherill Foundation with additional support from the Board of Directors of Otherworld Media.

CRT Needs a Few Good Audio Producers!

CRTJerry Robbins of Colonial Radio Theatre on the Air has been incredibly busy these days. The award winning top tier audio drama company that has brought you such series as Powder River, Ticonderoga, Royall House, Perry Mason, Father Brown, Captain Blood, 20,000 Leagues Under the Sea, Dead Ahead, and so many many more is working on the 12th season of their western epic, and some new shows including Tom Swift and his Motorcycle.

With so much content coming down the audio pipe, Mr. Robbins is looking for new audio producers who are interested in working on the mixing for CRT. Unlike many shows made in the audio drama world today, CRT pays commission for their producers. So, let us know if you’re interested today!

Colonial Radio is one of the most prestigious and well-known production companies in the business. Wouldn’t you like to learn and grow from the best?

Audio for Autism

performance-300x225Audio Drama provides so many benefits to communities, from social awareness and activism, to education and helping the autistic community. Craig Robotham from Weird World Studios has been very public about the use of radio drama in his own household and opens his scripts up to any families with autistic members but now we see Will Anderson a professor at Central Michigan University creating audio drama to help kids learn social skills. The full story can be found at CMU Public Radio News website.

There are so many reasons for making audio drama one of your tools to bring stories to the world. What are yours?

Chattering Warriors

warriorsThe incredible team at Chatterbox Audio Theater presents their latest release, Part 1 of the powerful drama The Warriors. As explained the work was:

Written by Evan Linder and conceived by Mary Hollis Inboden, it’s the story of a school shooting survivor who reconnects with her classmates a decade later. Together they explore the resonance that terrible day has had in their lives. Some have done their best to put the event behind them; others live with reminders of it every day.

It’s a thoughtful, poignant, deeply humane show about resilience and togetherness, and it features beautiful writing and performances as well as stunning artwork by Cody Barnhill. Part 1 of The Warriors is now available for free streaming and download through iTunes and our website.

Chatterbox continues to prove the vibrancy of live production and innovative theater. Have a listen and subscribe if you haven’t already!

Longest Career in Wisconsin Passes

WPR_KSchmidt_JGill-336x393 a tiger in the arena of radio drama and radio personalities passed. Wisconsinites remember Karl’s decades long commitment to WPR’s Chapter a Day. Inducted in the Wisconsin Broadcaster’s Hall of Fame in 2013, they consider his long career spanning back to The University of Wisconsin station WHA-AM in 1941 while he was still a student at the school.

Read the article from the Current about his life, and consider how many great individuals have carried the torch to this modern age.

Anime-niacs

fa94dcd8c40582202bb68bc4add1c5941461764958_fullManga and Anime seem to be burning up the extras by throwing on radio dramas on both DVD’s and CD’s. Add Long Riders! to the list. An original audio drama, written by Longriders, and illustrated by Taishi Miyaki, is being released in the special edition of the 7th volume. Check out more details about the drama and the upcoming TV anime in October from Crunchyroll!

BBC Must Not Become BCE

7360Some folks are quite concerned with the latest budget considerations for the famous British Broadcasting Corporation. Public radio has a long history of audio drama in England, and if the mother country wants to avoid the terrible state that conservatism has placed the CBC in Canada, they might do well to listen to the words of Sir David Attenborough from this Guardian article:

“There is plenty that viewers can do. Politicians don’t wish to be the people who are branded as getting rid of the BBC. They know that the BBC holds a very precious place in a large proportion of voters’ minds and they can’t play fast and loose with it as they would wish.

“When I saw what the [funding] deal was I thought, that’s terrible, that’s a distortion. What the BBC will say, and I daresay they are right, is the alternative was something worse.”

He added: “The basic principle of public service broadcasting is profoundly important. If we lose that we really lose a very valuable thing, you are throwing away one of the most precious things that we have.”

Let’s hope that cooler heads prevail and the people speak up before the BBC gets gutted.

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