Category: Holiday (Page 2 of 4)

Digital Digressions

The Nepascene has a series of digressions in this article which thrills in the memories of old time radio. Among the great musical hits the author, Tim Thumb,  remembers, there’s these fine gems of OTR:

Then, in junior high at a brand new apartment building my mom and I moved into, I discovered “CBS Radio Mystery Theater,” with host E.G. Marshall.

You can listen to many episodes (of varying quality) here. I highly recommend that you do.

Having listened whenever we could find a classic radio show with my gramps – “Amos ‘n’ Andy,” “Fibber McGee and Molly,” “The Shadow,” “Buck Rogers” – I’d already developed a pretty intense love of radio plays.

But “CBS Radio Mystery Theater” was new! It was a first-run show and current! It featured stars like Fred Gwynne (whom I knew from “Car 54, Where Are You?” and “The Musters” and you’ll know as the judge from “My Cousin Vinny”), Ed Ames, Ralph Bell, Joe Campanella, Richard Crenna, and tons more as voice actors. It was a glorious discovery, and the station it was carried on was a country format in the evening leading up to the show, which aired at midnight (I’d have that earphone in, sneaking a listen to avoid an ass whoopin’, and fully prepared to be draggin’ ass the next morning!). Since I always tuned in early so as not to miss the creaking door and “BUM BUM BUMMMMM” opening, radio is also where my love for outlaw country was born.

This and so much more in the Nepascene story. What are your remembrances of days of yore when we prepare for Christmastime?

10 Unexplained Audio

We in the Society love all things audio, and with Halloween coming up, it only makes sense we look at some of the most unexplained audio clips we have. While there’s many, Matthew Santoro does a good job in his youtube channel outlining ten famous sounds. How many of them do you know?

 

Mark Time 2016

Mark-smEvery year the Mark Time Awards present some of the best audio drama has to offer. The 2016 Awards were presented at the Hear Now Festival and has expanded its usual fare from the award for best science fiction drama (Mark Time) and the best horror drama (Ogle) to The Danger Prize, The Bradshaw, and The BettyJo.

The Sonic Society congratulates this year’s winners:

From the Mark Time Award’s Page:

The Ogle Award, named for Charles Ogle, the first portrayer of Frankenstein’s Monster on screen, is given in two categories, Horror and Fantasy. The Gold Ogle for Horror went to “The Masque of the Red Death,” produced and directed by William Dufris, who accepted in person. The Silver Ogle was won by “To The Manor Borne by Robots, Episode 5,” written, produced and directed by John Eder.

Winning the Silver Ogle for Fantasy was “The Springheel Saga: The Secret of Springheel’d Jack,” from London’s Wireless Theatre Ltd., producers Jack Bowman, Mariele Runacre Temple and Robert Valentine.

The Mark Time Award for Science Fiction, named for one of Ossman’s Firesign characters, was won by Jonathan Mitchell of New York City, who was also named Producer of the Year for a trio of short pieces, “Visible,” “The Last Job,” and “Santa For President.” He appeared via Skype. In addition, Tom Ligon, in the role of Santa, won the Betty Jo for Best Actor. The Betty Jo honors Firesign’s Phil Proctor, man of many voices.

The Silver Mark Time went to the Atlanta Radio Theatre Company for “The War of the Worlds: The Untold Story,” produced by David Benedict.

Additional Finalists were John Holland for “The Cure,” Marty Durlin and KZMU, Moab, Utah for “Downtown Abbey, Episode 3: Denial in So Many Forms,” and Pete Lutz and Pulp-Pourri Theater for “The DNA Pit.”

The Nick Danger Prize honors Firesign’s Phil Austin in memoriam and his immortal character, known for his “third eye.” It is awarded for the best in mystery and noir detective genres. There was a single Finalist, “Brass – A Steampunk Adventure Serial” from Battleground Productions, Seattle, written and directed by John Longenbaugh, sound design and production by Nick Abercrombie,

Ossman announced a new prize for Audio Comedy, called The Bozo Knows, open for entries in 2017. Information on entries and the Mark Time Awards history, previous prize-winners, Grandmasters, and Hall of Fame can be found at www.marktimeawards.org.

The Awards Ceremony was held as part of an Otherworld Cabaret, which featured high school students from the Paseo Academy of Fine and Performing Arts where the Mark Time SoundPlay audio workshop is in its second year of production classes and activities. Youth participants presented four short original audio plays which were written, performed, and sound designed by them, as part of the Mark Time Awards performance. Members of the 2016 Mark Time Academy included Carissa Stevens, Mel Jones, Kaden Vladimir, Travon Wainwright, Mahryn Barron, Trail White, Ethan Anissy, Marcus Robertson, and Kahlil Odums.

Young audio artists of the Paseo SoundPlay Workshop will be seen again as part of the Future Stages Festival at the Kauffman Center for the Performing Arts, June 26th at 3 p.m. on the outdoor stage.

The Mark Time Awards and SoundPlay Workshops are made possible by a grant from the Leo Gilbert Wetherill Foundation with additional support from the Board of Directors of Otherworld Media.

Magnetic Kids

adkidsAre you in the North Carolina area? Have kids looking to get busy this summer with audio drama?

Check out Magnetic Theatre camp with this post from Mountain Xpress:

Announcement from The Magnetic Theatre:

Has your rising 6th-9th grader ever wanted to:

Explore exotic locales? Soar through deep space? Solve crimes?
Discover buried treasure? Live the lifestyle of the rich and famous soap opera world?

At the Magnetic Theatre’s Radio Drama Camp this summer, kids ages 11 – 14 will write, produce, direct, and star in a radio drama that is performed live on stage and recorded as an mp3 file to be shared with friends and family.

This is your child’s opportunity to:
Create and write a cliffhanger story
Learn the craft of creating sound effects
See how a professional radio station and recording studio works
Weave all of these elements into a fully produced episode of a radio adventure
Perform live on stage for family, friends, and other campers

Oh to be a kid again!

The Rise of the Bronze Age of Audio Drama?

bronzeHappy Easter Everyone! A time where traditionally we think of new life, and renewal, and it’s got us thinking here at EVP Studios.

A few years back I said we had exited the Golden Age of Modern Audio Drama, and entered a definitively new age, the Silver Age. I said that because I had seen the generation of Audio Drama enthusiasts bring back the medium to the Internet, only to inspire a new group of people who maybe hadn’t heard of audio stories before podcasts opened their ears to the possibilities.

Now, it looks like we’re entering a third age. The Bronze Age of Modern Audio Drama where a new group of people who haven’t heard of the Golden Age group, and may not even be aware of the Silver Age productions are looking at the run away podficts like Serial and Tanis and are deciding to make their own series.

Audio Drama is broadening its base, even as its not widening it. What I mean by that is that we’re now coming to a point where the small community is fracturing so that so many people are unaware of the works of others. When most people excited about the medium used to listen to a group of shows to find what’s new out there, now we see entire podcasts existing entirely ignorant of the other works out there, and almost proudly so. After all, there’s so many podcasts of every genre, can you say you know them all? It’s impossible.

Radio Drama is starting to get that kind of wide appeal. But there’s still a danger in this fractured effect. It means that if your favourite audio series stops, you’re more likely not to know if there’s anything else out there. Even now, the most popular podcasts about audio drama tend to focus on a handful of shows as if they are the only ones that exist.

Our focus in the Sonic Society, has always been about the eclectic nature. We’d rather give you the world of audio drama, and let you decide weekly your commitment to it.

So is this a New Age? Let us know what you think in the comments…

Happy Birthday Bill!

point-of-departureWhether its taking a flight in the Twilight Zone, radio drama’s The Zero Hour, through the acrobatic fight scenes of TJ Hooker, up the elevator to the roof in Boston Legal, or through the skies as the Big Giant Head, or in the many incredible roles, not least of which as Captain James Tiberius Kirk of Star Trek, William Shatner continues to live a life of the artist.

He’s been a radio, stage, screen (silver and big screen), performer, Director, author of science fiction and biographical books, comics, and of course with a hit album and a successful businessman. Curiosity and a passion has driven the life of this iconic Canadian superstar to this point.

On the fiftieth anniversary of Star Trek we get to say HAPPY BIRTHDAY today to Mr. Shatner, and wish him many many more successful and creative projects ahead. Check out CBC Radio’s Rewind tribute to William Shatner’s birthday as MIchael Enright shares for all of us the incredible body of work and wit of our captain.

Warp speed.

The Pictures are Better

The Kiggins Theatre has become a regular destination for Willamette Radio Workshop. The Love Street Playhouse production of "It's a Wonderful Life" stars Kevin Taylor as George Bailey and Bethany Pithan as Mary. Both actors are from Longview.  (Darcie Elliott Photography) The Love Street Playhouse production of "It's a Wonderful Life" features (from left) Kevin Taylor of Longview, Kim Dewey of Vancouver, Lou Pallotta of Ridgefield, Bethany Pithan of Longview and Steve Taylor of Battle Ground. (Darcie Elliott Photography) The North End Players Theater Company. The Kiggins Theatre has become a regular destination for Willamette Radio Workshop.  Sam Mowry is director of the Willamette Radio Workshop.  The Kiggins was packed on Halloween for the Willamette Radio Workshop's run of scary sci-fi plays.

The Kiggins Theatre has become a regular destination for Willamette Radio Workshop. 

“Radio is better because the pictures are better,” says Sam Mowry, Willamette Radio Workshop director and one of our all time favourite actors (catch his performance in EVP‘s Muse of Madness)

From the article: The Magic of Old Time Radio Rings Through Kiggins:

The Willamette Radio Workshop has carved itself a successful niche performing holiday and other themed shows — like “The War of the Worlds” at Halloween, “A Radio Christmas Carol” in December and “The Hobbit” for author J.R.R. Tolkien’s birthday every January — but director Mowry said he loves branching out farther. Last Halloween, instead of “The War of the Words,” Willamette Radio tried two early science fiction classics, “R.U.R.” and “The Fall of the City”; and earlier in the year it was an original Superman script, locally relevant and blatantly political, about oil trains and environmental danger.

“We’re always looking for new and different things and John Barber has helped us push that boundary,” Mowry said. “This year for Women’s History Month, isn’t it great that we can do two of the greatest shows ever written for radio — and they were written by a woman?”

You can believe in the magic of radio drama as well. Willamette Radio Workshop is a little bit of fairy-dust in Portland and beyond!

 

Keep Calm

KCADAs we get closer to the end of the year, reflections on the past, anxiety in the present, and dire predictions for the future provide all kinds of fear in the season. No matter what you do, our guarantee from David Ault and Jack Ward and everyone of us that listens as a Society member is that we’re here. We’ve come together in this past decade and longer, to share, to grow, and to expand our wonder at the world of audio storytelling.

Keep Calm. The story of the original poster is a testament to the power of words. And whether they are written on a piece of paper and hidden away for fifty years, or recorded in digital format and nearly lost for fifty years, words have meaning. Stories are perhaps the very stuff of the universe as certainly as they are the stuff of the human soul.

From all of us, to all of you, on this great spinning little blue marble against the ebon sea. We have one thing to say…

Keep Calm. And carry on listening to Audio Drama.

And Merry Christmas

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