While not exactly electronic or even electric, the Mystery of Greek Amphitheater’s Amazing Sound Finally Solved according to live science. Every good audiomaturge (yes, it’s now a word) understands the importance of making the best opportunity of your sound waves. The Greeks weren’t just experts in warfare, but also sonic tactics through the use of “audio traps”. The corrugations of the seats are part of the key. We always knew that we have created our audio works on the backs of giants, it’s not often that we’re reminded that they were some of the greatest myth makers too!
Author: Jack (Page 79 of 175)
Born to Teachers and Amateur Audio Enthusiasts in the small rural community of Belwood, Jack's first love was stories- writing, reading, telling, and singing. He developed his acting skills through High School, University, and through film and community theatre.
Jack writes the lion's share of Sonic Cinema Production's (previously Electric Vicuna) Audio Drama scripts and has his own writing site at www.jackjward.com. Jack also is the middle of book writing, screenplay production, and is the CEO of the Mutual Audio Network- where he and the best people in the world Listen & Imagine, Together!.
He's thrilled to co-host the Sonic Society with his wonderful, talented, friend David Ault as they enter their second decade in the medium!
Tonight broadswords and battle axes are mandatory as our Amigos introduce Bill’s action-packed sword and sorcery series The Grog and Gryphon. Make sure you get to the tavern and download the rest of this ten episode unfinished epic!
Tonight in a special feature, Pete Lutz and the Narada Radio Company return to grace the Playhouse Theatre stage with a super presentation of the classic drama with Meridian 7-1212!
Wired recently wrote an article entitled: Where is Hollywood Looking for its Next Hit? Podcasts.
From the article:
Like books, podcasts prove that a story works, that listeners like it and will keep coming back to follow it. More importantly, podcasts can prove an idea’s viability at a fraction of the cost of producing a TV pilot. “It’s essentially a prototype of a produced franchise,” says Chris Giliberti, the head of multi-platform efforts at podcast company Gimlet Media. “In Silicon Valley terms, this is an MVP.” And in the past year, TV producers have started to recognize podcasts’ value. Amazon announced last fall that Gale Anne Hurd, who helped transform The Walking Dead from a beloved comics series into a beloved TV series, would be adapting the horror show Lore for the streaming service. ABC is already working on Zach Braff’s Alex, Inc., an adaptation of tech industry podcast StartUp. And now, Mr. Robot creator Sam Esmail is adapting Gimlet’s Homecoming for Amazon, starring Julia Roberts.
For a long time now we’ve been arguing that a good audio drama is a great idea to sell to Hollywood. It’s a fraction of the cost with the entire story in tact. Nice to see that others are getting the same idea.
Slate Magazine recently wrote an article The Renaissance of the Humble Radio Drama in which they described this strange medium that everyone thought dead long ago is still alive… and thriving?
The author Angelica Cabral writes “Radio dramas may seem like a thing of the past, but they’re still a great way to tell stories.”
We’re almost through two decades and three waves into the modern audio drama wave. How many times have we seen the same article published? Still, any news is good news, and after sending up fireworks in the air for so many years, perhaps the great train of the Internet media is finally starting to notice the display.
Have a look see at which shows are mentioned and see if you agree with their assessment.
Tonight the Amigos present one of Broken Sea Audio’s earliest series “Logan’s Run” adapted by Paul Mannering, and post produced by Paul Mannering, David Sobkowiak and Bill Hollweg.
Say Edict Zero in the Audio Drama Production Podcast and everyone drinks. This perennial favourite of the audio drama community is becoming more popular outside of the community as well. And it’s good news. Unlike so many of the other darlings that have more in common with youtube confessionals than traditional audio drama, Edict Zero relies on strong characters and developed plots. Recently in Working the Galaxy a detailed interview with Jack Kincaid, Russell Gold, and James Keller shed light on this modern audio drama classic.
Tonight’s feature comes from the man of a thousand audio drama voices- John Bell from Bell’s in the Batfry and the Queen of the Modern Audio Drama Circuit- Sarah Golding from Audio Drama Production Podcast with the classic and clever Damon Runyon Theater and “Madam La Gimp”!
Jeff Billard and Lothar Tuppan sit down with Jack to reflect and remember Bill’s original science fiction opus: 2109- Black Sun Rising.
The world Modern Audio Drama movement seems to be in full swing with Audibles announcement in driving paid audio productions for the future, so it’s worth considering what are the story sources that drive audio drama tales.
1. Stage Plays: Many great audio drama from the classics of Theater Five, Radio City Playhouse, Campbell Playhouse, and First Nighter to the modern shows of Crazy Dog Audio, Bunbury Banter Theatre, and Chatterbox Audio.
Elements You May Find in Stage Play Sourced Audio Drama:
– Classic re-tellings of literary or dramatic stories (like Oedipus, Shakespeare, Mark Twain and others)
– Experimental theatre using the conventions of audio drama to specific advantage (like “Danger” with the entire story in the black out of a coal mine, or taking the perspective of an elbow talking to an eyeball on the same body)
– Staged settings that feel like you are watching a live performance
– Stage presentations with actors who project as if from a stage to a live audience
– Sound Effects and Music that are produced live during recordings
– Recordings where actors are miked in the same session
– Stories focused on deep themes and imagery
– Stories that can be character driven
2. Radio Plays: Old Time Radio Drama produced it’s own style of storytelling from Dimension X, Gunsmoke, and The Adventures of Sam Spade to Decoder Ring Theatre, Campfire Radio Theater, and The Thrilling Adventure Hour.
Elements You May Find in Radio Play Sourced Audio Drama:
– Serialized stories in fixed lengths
– Series narrators that establishing setting, initial conflicts and mood
– A wide-variety of genres but especially emphasizing science fiction, fantasy and horror
– Minimal sound effects
– A focus on plot driven stories
– Cross-over characters and plots from similar themed series
– Six or less characters a show
– Continuing characters in a series
3. Movies (Cinematic Film): While television owes much of its format to Radio Plays, cinematic storytelling has a long history from Lux Radio Theater, Academy Award Theater, and Star Wars NPR to The Witch Hunter Chronicles, Second Shift, Broken Sea Audio, and the works of Dirk Maggs.
Elements You May Find in Film Sourced Audio Drama:
– Rich Soundscape with textured sound effects
– Modern storytelling with complex social issues
– Long-form serials based on popular cinematic themes/stories
– Profanity and adult situations
– Large casts of characters
– Modern and rich musical themes
4. Podficts (Podcast Fiction- Youtube Confessionals/Public Radio): For a while, it looked like many audio dramas were coming strictly from a public radio style of documentary format like This American Life and WireTap but certainly some of the same story impulses have arisen from the “confessional” style of video seen in youtube such as LonelyGirl15. You might consider this audio drama style postmodern examples are plentiful from Lost in Williamsburg, The Black Tapes, Tanis to Subject: Found, The Box, and Point Mystic.
Elements You May Find in Podcast Fiction:
– First person storytelling with host/narrator
– Personality-based (often person) stories with emphasis on social issues and diversity
– Long form “chapter” episodes often with recaps for previous weeks and previews for next episodes
– An emphasis on informal, often slang dialogue filled with regional colloquialisms
– A variety of production techniques from simple to complex adding to the tone of the storytelling
– Documentary or “Found Footage” style storytelling
Each of the Four Sources have their own benefits and drawbacks and often cater to different listening audiences. If you’re a writer, which style do you prefer? If you’re a fan, which do you seek out to listen?