Someone said to me recently that they felt that audio drama folks weren’t as snobby as podnovel folks.
That was a strange comment to make. Looking back, I do notice that Audio Drama has been seen as the ugly step-child of the podcast community somewhat. Through the years there’s even been some suggestions that audio dramatists could “graduate” to audio novelists if they were good writers. It made me wonder if there were similar ideas between stage playwrights and novelists. Or television writers and movie scriptwriter writers.
Is there a kind of hierarchy of writing and production?
When I think of it I have witnessed some strange behavior through the years. Now, I’m the first one to admit I’m a literary snob of some sort. I enjoy story beyond and above everything else. Good story, for me, is key to any writing in any genre.
I have heard some various forms of audio snobbery though from various quarters:
- American audio drama is more valued than Canadian
- British audio drama is more respected than American
- New audio drama is accepted as better than Old Time Radio
- Podficts is more edgy than audio drama
- Heavy narration is worse than no narration
- Lots of special effects (the “Every Blade of Grass” folks) is seen as modern compared to a limited soundscape
- Horror and Comedy is more popular than drama
- Podcast is better than radio, and streaming is better than podcasts
- Social awareness trumps social commentary
These are the forms that come to mind for me. What snobbery do you see in the art form? Is it justified?
I’ve been a listener of
One of the benefits of being a teacher and introducing audio drama to my students, is to see how it engages them in ways that no other media does. Students in the 21st century are programmed to respond visually, but that often means not responding as critically or creatively.
Origin Stori
Looking for some new audio to listen? One of the things Jeffrey Adams from
Whether you’re a fan of
Chances are the name 
If you grew up in the seventies or eighties, you couldn’t avoid the iconic presence of Carrie Fisher as Princess Leia in Star Wars. Many post modernist reviews of perhaps the first modern blockbuster series in movie history dwell on the dearth of women in the original trilogy. The fact was, it would have been hard to share screen time with Fisher who commanded the screen despite her inexperience beside veteran actors